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Wednesday, June 10, 2026

DESIGN / THE OBAMALISK* UNVEILING


Obama Presidential Center Prepares to Open as Civic Campus in Chicago 

The Obama Presidential Center in Chicago is nearing its public opening as a 19.3-acre campus in Jackson Park, combining a presidential museum, public library branch, gardens, athletic facilities, gathering spaces and public art. 

The center is scheduled to open to the public on June 19, 2026, with an invite-only dedication ceremony the previous day. 

The project, often referred to informally as the Obama Presidential Library, is formally the Obama Presidential Center. Our media friends across the pond, the London Times has gone on record calling it the *Obamalisk.

Be that as it may, the Obama Presidential Library itself is part of the National Archives and Records Administration’s presidential library system, while the Chicago campus is operated by the Obama Foundation as a museum and civic center. 

The campus includes several major components. Visitors will find a museum tower, a branch of the Chicago Public Library, the Forum, Home Court athletic facility, a large playground, gardens, an auditorium, public plazas and outdoor areas intended for community use. 

The grounds are planned to be open daily and free of charge, while museum admission will require timed tickets. 

The museum is the dominant structure on the campus. Its tower changes appearance from different angles and carries an excerpt from President Obama’s 2015 speech in Selma, Alabama. 

A window by artist Julie Mehretu is also inspired by that speech. 

The tower’s upper level includes the Sky Room, where panoramic views of Chicago wrap around the top floor. 

Inside, the museum is organized across four floors and includes exhibitions on Barack and Michelle Obama, the Obama presidency, democracy and civic life. 

General museum admission includes access to the Oval Office exhibit and the Sky Room. Public art is a major part of the center. In the tower lobby, an elaborately designed stair winds near “This Land, Shared Sky,” a collaboration by Nick Cave and Marie Watt. 

Jeffrey Gibson’s “Yet With a Steady Beat” is included in a museum exhibition. In the Sky Room, Idris Khan’s “Sky of Hope” uses thousands of hand-stamped words referring to the Selma speech. The main plaza connects the museum, library branch and Forum. A sculpture by Martin Puryear frames a view toward the library, while a carved “O” from the Selma speech frames a view of Home Court, the center’s athletic facility. Home Court is designed to include a gymnasium with an NBA regulation-size court, practice courts, flexible seating and space for sports programs, community events and formal gatherings. 

The outdoor campus includes a fruit and vegetable garden, a large playground, the Great Lawn, Women’s Garden and Wetland Walk. These spaces are intended to make the site more than a museum destination, giving nearby residents and visitors places to gather, walk, read, play and attend programs. 

The center’s opening weekend is planned for June 19 through June 21, with public programming, performances, family activities and Chicago Public Library events. Museum tickets are already being sold for dates beginning June 19 and extending through November 30, 2026. 

The Obama Presidential Center arrives after years of planning and construction as one of the most ambitious presidential center projects in the country. Its stated purpose is not only to commemorate the 44th president and first lady, but also to serve as a working civic campus for Chicago’s South Side and for visitors from around the world. 

Its test will come in daily use: how the museum, library, gardens, recreation spaces and public programs function together as a place of memory, education and community life. Go to Dezeen Magazine for early photos of the completed site. 

OR: 

https://www.dezeen.com/2026/06/06/obama-presidential-center-this-week/

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Tuesday, June 9, 2026

TUESDAY TRAVEL / TWO OF A KIND

Dennis Wills, La Jolla CA 
Comparing the iconic bookstores of Sylvia Beach and D.G. Wills 

By Thomas Shess

Some bookstores sell books. A rare few keep civilization from slipping off the table. 

Sylvia Beach’s Shakespeare and Company in Paris was one of those places. Dennis Wills’ D.G. Wills Books in La Jolla is another. 

They are not twins. 

 Sylvia Beach and James Joyce, Paris 

Paris had Joyce, Hemingway, Stein, Fitzgerald, Pound, and the entire unruly tribe of expatriate modernism drifting in and out like unpaid weather. 

La Jolla has Girard Avenue, sea air, academics, aging poets, graduate students, book hunters, and browsers who enter for one title and emerge wiser  with three books they did not know they needed. 

But the kinship is unmistakable. 

Beach’s shop began as a lending library, literary post office, confessional, salon, publisher, and halfway house for difficult geniuses. Her greatest act of courage was publishing James Joyce’s Ulysses when more comfortable publishers would not touch it. She did not just stock literature. She midwifed it. 

Dennis Wills' bookstore carries that same endangered spirit on the West Coast. It is not designed by committee. It does not flatter the hurried customer. It asks you to slow down, look upward, bend sideways, read spines, follow hunches, and submit to accident. That is the old religion of bookstores: discovery by wandering. 

Independent bookstores of this kind are not efficient. Thank heaven. Efficiency is what gives us algorithms. Places like Beach’s Paris shop and Wills’ La Jolla shop give us serendipity, eccentricity, conversation, and the human being behind the counter who knows that the book you came in for may not be the book you need. 

That is why these two stores belong in the same sentence. One stood on the Left Bank and helped launch modern literature. The other stands in La Jolla and reminds San Diego that books are not decorative objects or delivery units. They are arguments, passports, provocations, and sometimes rescue boats. 

Sylvia Beach gave Joyce a harbor. 

Dennis Wills gives readers one. One of a kind? 

Yes. Two of a kind? Also yes. 

That is the contemporary miracle. 

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Anais Nin and current Shakespeare & Co. owner George Whitman, 1974

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 Claude Picasso and Francoise Gilot with Dennis Wills, La Jolla.

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The author of this blog is founder of PillartoPost.org Daily Online Magazine style blog and former Editor in Chief of San Francisco Magazine and Executive Editor with San Diego Magazine.