FRIDAY FOIBLES / NEW VILLAINS IN TOWN

THE FOODIST / FIRST CAR HOPS IN AMERICA

The first carhops appeared (see above) in 1921 in Dallas, Texas, when automobiles were becoming more common. However, the earliest examples of carhops date back to the turn of the 20th century, when young boys delivered food to customers in cars or horse-drawn carriages. 

 The popularity of carhops grew in the 1940s, especially in drive-in restaurants. Waitresses on roller skates became a common sight, bringing trays of food to customers waiting in their cars. The roller skates added a fun, fast-paced element to the dining experience. 

 Carhops became the most common way to get fast food in the 1950s. However, their popularity began to wane in the 1960s and fast-food joints began abandoning them. 

 In recent years, some restaurants have started offering carhop service again, as a way for customers to dine in the safety and comfort of their cars. 

AMERICANA / HIGH WINDS, HIGH HONOR

 

Amid the tempest of torrential rains and howling winds, a lone sentinel from the U.S. Army's esteemed Old Guard 3rd Infantry Regiment stood unwavering at the Arlington National Cemetery this week. With wind gusts roaring through the Nation's Capital at speeds exceeding 80 mph, nature unleashed its fury, toppling trees and leaving behind a trail of destruction that weather experts attributed to a powerful downburst. 

 Yet, even as the skies thundered and lightning lit the horizon, the Tomb of the Unknown Soldier remained vigilantly watched. The steadfast presence of the Tomb Guard embodied a poignant symbol of honor and duty, unshaken by the storm. The National Weather Service described the violent weather as a convergence of torrential rains, unrelenting wind, and frequent lightning, painting a dramatic backdrop to the stoic figure's commitment. 

 The Society of the Honor Guard underscores that safety contingencies are in place for lightning and extreme conditions, ensuring the safety of the soldier on duty. Yet, history has repeatedly proven the resolve of the Tomb Guards to stand their ground, even in the harshest of trials. Their watch continued through the onslaught of Hurricane Isabel in 2003, which lashed Virginia with storm surges of up to eight feet. 

 The white marble tomb they guard holds profound significance. It is the final resting place of an unidentified World War I service member brought home from France in 1921. Over the decades, two additional unknown soldiers, from World War II and the Korean War, were interred in 1958, and another from the Vietnam War joined them in 1984, although later identified and returned to his family. Since 1937, the Tomb has been guarded 24 hours a day, an unbroken testament to America's reverence for its fallen heroes. As the winds roared and rain fell in sheets, the soldier’s silent vigil echoed a powerful truth: honor does not falter, even in the face of nature's wrath. 

RETRO FILEs / BEHIND THE SCENES LONDON'S BIG BEN CLOCK

Interior of Big Ben clock photo taken 1920.
For a 21st century expensive make over on YouTube:
CLICK HERE

Big Ben, the iconic clock tower at the north end of London's Palace of Westminster, was completed on May 31, 1859. The name "Big Ben" originally referred specifically to the Great Bell within the tower. 

Why the name? The most widely accepted theory is that it was named after Sir Benjamin Hall, the First Commissioner of Works during the bell's installation. Hall, known for his considerable size, had his name inscribed on the bell, leading to its nickname. 

Over time, the nickname "Big Ben" has come to refer not only to the bell but also to the clock and the entire clock tower, which was renamed Elizabeth Tower in 2012 to honor Queen Elizabeth II's Diamond Jubilee. 

The clockmaker for Big Ben was Edward John Dent, a renowned British clockmaker. Dent was commissioned in 1852 to design and build the clock for the tower. He created the intricate mechanism that would allow the clock to chime the hours with remarkable accuracy. 

After Dent's death in 1853, his son, Frederick Dent, completed the clock's construction, ensuring that the design and precision met the standards required for such a monumental project. 

Clocks nearing completion 1859.

The clock began ticking away in 1859 and has been famously accurate ever since. Big Ben was built as part of the reconstruction of the Palace of Westminster after a devastating fire in 1834 destroyed much of the original structure. 

The new Parliament building, designed by architect Sir Charles Barry, was a Gothic Revival masterpiece, and the clock tower (later known as Elizabeth Tower) was an integral part of its design. 

The clock tower and the Great Bell (Big Ben) were intended to symbolize the power and stability of Britain's parliamentary democracy. Additionally, the clock's remarkable accuracy and its chimes served as a public timekeeper, ensuring that Londoners could rely on its consistent tolling to regulate their days. 

At the time of its completion in 1859, Big Ben's clock tower stood at 316 feet (96 meters), making it one of the tallest clock towers in the world. While it wasn’t among the tallest buildings globally (other taller structures, such as cathedrals and monuments, existed), its prominence and intricate design made it a landmark of engineering and architecture. 

The clock itself was notable for being the largest four-faced chiming clock in the world, and it remains an iconic symbol of London and British culture. Its size, precision, and public function made it a marvel of its time, even if not the largest building overall. 

Below: 

1. One of five bells in the tower and 

2. Big Ben on May 11, 1941, the last day of the WW2 London Blitz shows bomb damage above the clocks.  Historians note the clocks only lost a second and continued nonstop into modern times.

MEDIA MONDAY / ORANGE HAIR ON FIRE OVER MEDIA QUESTIONS

 TRANSCRIPT FROM NEW REPUBLIC PODCAST BY GREG SARGENT 

 On Wednesday night, a passenger jet collided with a military helicopter over Washington, D.C., leaving no survivors. On Thursday, President Donald Trump went before the cameras and blamed Democrats, diversity, equity, and inclusion training, and many other things for the disaster. 

He seethed with anger at reporters who dared to ask tough questions about his claims. We don’t yet know what caused this crash, but Trump’s rush to judgment is already demonstrating how he will conduct this presidency. 

He’s going to lead with far-right obsessions and tropes at some of the most critical and sensitive moments. 

 Trump’s anger here was telling. 

It visibly infuriated him when his efforts to push those obsessions and tropes were subjected to even minimal questioning. 

Guest for this New Republic podcast is Juliette Kayyem, a former senior Department of Homeland Security official during the Obama administration who has a new piece for The Atlantic looking at conditions that might’ve led to the crash. 

Juliette Kayyem: Thanks for having me on. 

Greg Sargent: What happened? This passenger jet had 64 people on board and crashed into the Potomac River after colliding with a military helicopter at around 9 p.m. on Wednesday night. The helicopter appeared to be on a training flight. Juliette, can you sum up what we know so far on why the crash happened? 

 Kayyem: Yes. The why is still being reviewed; obviously it’s just been a few hours. On the basic facts, [an] American Airlines regional plane collided with an Army helicopter. Conditions were clear, as we know. The passenger jet from Wichita, Kansas, was just about to arrive at Ronald Reagan Washington National Airport, one in a succession of airliners landing about two minutes apart, and that’s not abnormal for a national airport. The Black Hawk was on a very typical training mission from Virginia’s Fort Belvoir. And we had been told, and I think the basic sense is, both of them were on standard flight patterns, well known for the D.C. area. And I’m quoting Transportation Secretary Duffy: This was “not unusual.” That’s why the investigation has to determine what, in fact, happened. 

 Sargent: So Trump immediately goes out there at a time when we really just don’t know a whole lot and blames Democrats and DEI for the crash. Listen to what Trump said on Thursday: Donald Trump (audio voiceover): And Biden took over. He changed them back to lower than ever before. I put safety first. Obama, Biden, and the Democrats put policy first, and they put politics at a level that nobody’s ever seen because this was the lowest level. Their policy was horrible and their politics was even worse. 

 Sargent: Juliette, can you give us an overview of what Trump thinks he’s talking about there? What actually happened over the last few administrations with the FAA? 

 Kayyem: There’s been a consistent effort by the FAA and other government agencies to diversify their hiring. This is the criticism of DEI. I want to make clear that the FAA isn’t just a bunch of pilots. There’s assistants and custodians and all sorts of other employees. That effort to open the lens to diversify hiring was not illegal or atypical. And that effort by the FAA has been consistent through various administrations, including Trump’s, but he needed to latch on. 

 The unsophisticated nature of how he deals with complexity is.… While most of us in the field are looking at this saying, We have a normal thing. Lots of traffic, that’s normal. Weather was normal. No suspicion of anything weird. And then a tragedy. What’s the why?, Donald Trump thinks he can answer that with his right-wing-infused media consumption. He tries to fill the airwaves at a press conference that, while nothing should shock me now, I think I had forgotten how bad he is in this particular role of crisis management. He’s bad at a lot of things, but everything from.... If you just go back to the Covid press conferences, this felt very similar to that: just a bunch of B.S. and then anger when those lies are confronted. 

 Sargent: Well, you brought up the fact that the DEI programs persisted through the Trump administration. Trump read from an article basically saying that the FAA is actively recruiting workers who suffer severe disabilities, including intellectual, psychiatric problems, and other mental and physical conditions, under a diversity and inclusion hiring initiative spelled out on the agency’s website. That’s more or less what he said. What’s he referring to there? 

 Kayyem: He’s referring to unbelievably generic language that is used in efforts to hire. The FAA needs bodies. We know that in particular after Covid or during Covid it lost a lot of personnel. And once again, they’re hiring for lots of positions. And once again, some of those positions, when you think about say mental disability, might include military members with PTSD who have skills that the FAA may actually want. This is the idea he has: of some elite group of people, all white, all look like Secretary Duffy and Secretary Hegseth, of this toxic masculinity being the smart, brilliant, the best of the best. And that’s his idea of who should be in these types of roles. The interesting thing about it is there were parts of the press conference that were bordered on a white supremacy aspect, this idea of the favored race should be the only ones who have these jobs. It was jarring to see it so soon into his administration and to see the pushback by members of the of the media who were in the room. 

 Sargent: What you’re referring to there, Juliette, is when he talked about how only people with really supreme mental superiority and fitness are appropriate in these jobs. You have this really weird language creeping in that he probably absorbed from right-wing media as well. Your thoughts on that? 

 Kayyem: Yeah, the language itself is very, very telling about how Trump perceives fitness. This gets to the idea that you see, because you and I both follow it, from the right-wing blogosphere and social media, the Elon Musk, the deep population of whites. All of that gets played out with the bells and whistles that Trump was giving it today in its full fury. I want to just add two things to this. One is it takes a certain kind of person to view their role as president of the United States in that moment as one in which blame should ever come into it. He could have had the easiest press conference in the world by showing sympathy and saying all the resources of the government are going to go to figuring this out and to making sure that the American public has confidence in our aviation system. Look, I could have done it. I’m not even president of the U.S. All the questions should have gone to Secretary Duffy. He can answer those. Then we’re done. The problem is even when all of us were sleeping through some of this last night, Trump is already posting about DEI and blaming Biden. The second is, I do write and work in the field of disaster and crisis management, so I know a lot about crisis leadership. The anger is a reflection of his fear. I’m not defending him, but there’s all sorts of metrics to determine whether Donald Trump actually has the mental ability to be president of the U.S. Some people wonder whether intellectually he’s as strong as he used to be. I don’t know, I can’t answer that question. What I can answer is having studied crisis leadership for a long time, the anger is a reflection of the fear that he has in this role. And I think we saw that during Covid, as well. 

 Sargent: Yeah, what’s going on here is that he is lashing out in a preemptive way. He knows he has no frigging business being up there. He doesn’t know what he’s talking about. And he suspects that the people in the room, probably rightly, are going to see right through his B.S. very quickly and realize that he’s utterly out of his depth and unqualified. So he lashes out. It’s all got this social Darwinist tinge to it. He lumps himself in with a superior species of some amorphous type that who the hell knows exactly what he means, but I do think that there’s a deep racial component to it on some level. He’s also asked at one point what evidence he has that DEI hires were to blame, and he said, “Just could have been.” Really sloppy shit. 

 Kayyem: People say, This is what he does. He’s going to throw it out there, and now he’s gotten the orientation of the coverage in the right-wing world to repeat him. I’ve gotten two alerts now from major news organizations that are not about what happened or the victims or the horror that these families are experiencing right now or maybe something like, Hey, here’s a policy idea. Why don’t we ground all army helicopter training missions for a period until we figure out whether we want to have them there anymore? This is, I always say about my field, not rocket science, but you can look like an idiot if you don’t know how to do it. 

As president, he always views himself as a passive victim of the very things that he should be in charge of. He did that with his statements on this week's crash, and he does that consistently. He wants us to believe he’s just a viewer, and he’s pontificating as he said in that piece, Well, it could have been DEI. Sure, it could have been, but you’re the president. 

 Sargent: I just want to clarify one point that came up a little earlier. When he talked about all these different people who are somehow polluting the employment pool at the FAA, who are inferior and whatever, those programs don’t necessarily really refer to the people who are making the moment-to-moment decisions that affect moments like this, right? That seems to me to be key. Can you explain? 

 Kayyem: Yes. There’s only three places where the error could have occurred, especially since we know that the circumstances were pretty normal: the pilot of the airplane, the pilot of the helicopter where there’s a lot of focus on what was going on, or something happened in the air traffic control room. We have audio of the air traffic control room. It does not appear that someone wasn’t.... The helicopter pilot was notified of a visual concern. In other words, he needed visual on an airplane. He says he has it. We don’t know if he’s looking at the right plane. So in terms of miscommunication, the air traffic controller could have been more specific about which plane, or the helicopter pilot misunderstood it. Now that has nothing to do with any of the hirings that the FAA was looking at because in particular, all three of those positions—only three people who were in charge of that time—have to go through a training and standards process that are not diversity based. To be a pilot of a helicopter, you still got to know how to fly a helicopter. Just reading the tea leaves—and I want to be careful here because my piece in The Atlantic also talks about systemic challenges with our aviation system—given the focus on the helicopter pilot, we will be learning more about what, in fact, he thought he saw or if he was looking at the wrong airplane. There were lots of airplanes, lots of military testing going on. We don’t even know if he was new. Was this a retesting? Was this a retraining? We don’t know any of this. 

 Sargent: Pete Buttigieg, transportation secretary under Biden, hit back at Trump for blaming his predecessors. Buttigieg said, “One of his first acts was to fire and suspend some of the key personnel who helped keep our skies safe.” We also know that the FAA administrator resigned recently after Elon Musk demanded that he leave because Musk was angry over how the FAA treated his SpaceX. What do we really know about all these claims here? 

 Kayyem: They’re all accurate. Cabinet secretaries are often ... To me, that’s not a firing, you get a new cabinet secretary. The administrator of the TSA and the head of the Coast Guard on the response side—although unfortunately there wasn’t much of response, everyone perished—were both fired on day one, essentially. Day one or day two of the new administration. So you don’t have leadership at both your aviation and your response; those are two key parts of this as well. Over at the FAA, you have a term-appointed FAA head. The expectation, as we had understood the FBI to be but apparently that’s no longer true anymore, is that once Senate confirmed the appointment lasts for five years. 

Elon Musk goes on a rampage in December about an investigation or an inquiry regarding SpaceX and whether it needed to pay a fine based on some of its activities that were in violation of the safety and security of our airspace. 

The private space industry is also creating more density in our skies. Elon Musk says he needs to go, and he tenders his resignation on day one. So there’s no head of the FAA at the moment that this happened. 

 Sargent: So Juliette, is it fair game to point out that this happened after those really recent occurrences? And is it fair game to say, Well, Trump keeps telling us he’s going to cut the living heck out of the deep state and the government, and he’s going to sack the civil service if it isn’t loyal to him? He has a certain attitude toward the “deep state,” by which we mean the professionalized civil service that really is revealed to be pretty impoverished by an event like this. Is that all fair? 

 Kayyem: That is fair. That’s why Pete Buttigieg, who is only out of government for eight days, came forward so strong. There are people who commit their lives to serving the public who are just being thrown under the bus left and right. He did this just a week ago with FEMA. Remember? I’m going to abolish FEMA because he hears some complaint. Well, in a disaster, everyone complains. That’s not new. I think that it is fair game in terms of the choices that Trump has made about how he’s going to lead this administration and this country into the future. And it’s incumbent, I don’t even want to say Democrats, on people who understand the meaning of government in people’s lives to tell that story because we failed to do that or somehow that story wasn’t told well enough in the lead up to the election. 

So Trump’s able to narrate that government is the enemy until government starts paying your bills, stops paying for emergency relief, stops paying for health care, or the professional class who you want to be in charge of airplanes and Amtraks and our ports begins to leave either because they get a buyout or because life is intolerable. 

 Sargent: His rush to blame DEI is really a way of saying, Well, government is getting polluted by the professional managerial class, by elite liberals who have taken their eye off the ball, who are just trying to help people who aren’t like you. And I’m coming in to knock heads and set all that straight. We’re going to get rid of all that. I want to play some more audio of two times Trump got angry with reporters. First is under questioning from CNN’s Kaitlan Collins.

 Kaitlan Collins (audio voiceover): You don’t even yet know the names of the 67 people who were killed, and you are blaming Democrats and DEI policies and air traffic control and seemingly the member of the U.S. military who was flying that Blackhawk helicopter. Don’t you think you’re getting ahead of the investigation right now? 

 Trump (audio voiceover): No, I don’t think so at all. I don’t think ... With the names of the people, you mean the names of the people that are on the plane. You think that’s going to make a difference? They are a group of people that have lost their lives. If you want a list of the names, we can give you that. We’ll be giving that very soon. We’re in coordination with American Airlines. We’re in coordination very strongly, obviously, with the military. But I think that’s not a very smart question. I’m surprised, coming from you. 

 Sargent: The second one is, I believe, NBC’s Peter Alexander. Peter Alexander (audio voiceover): The cited FAA text that you read is real, but the implication that this policy is new or that it stems from efforts that began under President Biden or the Transportation Secretary Pete Buttigieg is demonstrably false. 

 Trump (audio voiceover): Who said that, you? Alexander (audio voiceover): No, it’s on the website. The FAA website. It was there in 2013. It was there for the entirety of your administration. So my question is: Why didn’t you change the policy during your first administration? 

 Trump (audio voiceover): I did change it. I changed the Obama policy, and we had a very good policy. And then Biden came in and he changed it.

Sargent: Juliette, he’s just seething at the very fact that his sloppy response is being subjected to even minimal questioning. 

 Kayyem: Yeah. That’s a person who does not understand their role but also has so clearly surrounded himself with people and a media diet that only kisses the ring. There’s a moment in the press conference that I thought was interesting. Sean Duffy is the new Secretary of Transportation, I think he got in yesterday. He also had been on an MTV show but he also was a Congressman. So he’s not totally unserious, like he ran for office. And it was interesting because he clearly understood while standing there, at least in my view, that Trump was not fit to lead a press conference of this nature. 

 When he comes up to speak and to, I think, try to reset some of the facts and allegations made, he says—as Trump demands that his people say—the president is all over this and all resources will be delivered. But also he tries to fix it and makes it clear that we don’t know the reason why and also makes it clear what the investigation is going to look at and how it will unfold. That is the responsible thing to say. I have no sympathy for Secretary Duffy at all, but it was a moment when I could see, and I’m just reading the tea leaves, a person realized that Trump 2.0 isn’t better than Trump 1.0. He’s worse. 

 Sargent: Very much like the Covid period as well where his underlings had to step forward and make what he said sound somehow responsible and just lie in everybody’s faces about what they had just seen from the entirely unfit guy at the top. 

 Kayyem: Yeah. Can I say one thing before we end about not just the horror of this, and watching Trump, and the tragedy to all those victims? This country does have real issues about things like disasters and recovery, say in Los Angeles or North Carolina, and in our aviation system, which has had too many near misses. There are flashing red lights where a moment like this could also be an opportunity to look at the future of aviation, aviation safety, to protect the American public. That window was about three hours. Trump just closed it. And that is the long-term consequences of having a president like this: He is not serious, and therefore the government won’t be serious about the lessons that we could learn from this. 

 Sargent: Well, this is a very early flashing light about what’s coming down the pike, and it’s going to get a whole lot worse. Juliette Kayyem, thanks so much for coming on with us. 

 Kayyem: Thank you so much. 

 Sargent: You’ve been listening to The Daily Blast with me, your host, Greg Sargent. The Daily Blast is a New Republic podcast and is produced by Riley Fessler and the DSR Network. 

The Daily Blast with Greg Sargent TNR’s Greg Sargent takes a critical look at the day’s political news and the stories leading NewRepublic.com, and speaks to leading journalists and newsmakers. 

SUNDAY REVIEW / GOOD DIRT ON PUNXSUTAWNEY PHIL

Groundhog Day, with its curious tradition of consulting a rodent to predict the weather, is a quintessential example of Americans' flair for embracing the whimsical and absurd. 

The origins of this quirky celebration trace back to a mix of ancient customs, immigrant influence, and perhaps a uniquely American flair for showmanship. 

 Ancient Roots 

The tradition has its roots in Candlemas Day, an early Christian holiday celebrated on February 2nd. Candlemas marked the midpoint between the winter solstice and spring equinox, and weather folklore evolved around the day. A common English rhyme went: 

     If Candlemas be fair and bright, 

    Winter will have another flight. 

    If Candlemas brings cloud and rain, 

    Winter is gone and will not come again.

 In Germany, this belief took a furry twist, where hedgehogs were believed to predict the weather based on their shadow. 

 Immigrant Influence 

When German settlers arrived in Pennsylvania in the 18th and 19th centuries, they brought this tradition with them. But Pennsylvania didn’t have hedgehogs, so the settlers substituted them with groundhogs, or woodchucks, which were abundant in the region. 

 The groundhog, already a familiar figure in local lore, became the star of the show. Known for hibernating through the winter, it was a logical candidate for weather prediction. Its emergence was seen as a sign that spring was either near or far, depending on whether it saw its shadow. 

 Enter Punxsutawney Phil 

The specific celebration of Groundhog Day as we know it began in Punxsutawney, Pennsylvania, in 1887. A local newspaper editor and groundhog enthusiast, Clymer Freas, along with the Punxsutawney Groundhog Club, turned the event into an annual festivity. 

Punxsutawney Phil was christened as the official weather-prognosticating groundhog, and the tradition gained national attention. Over time, Groundhog Day evolved into a spectacle, complete with top hats, pomp, and ceremonies that playfully mimic the gravitas of more serious traditions. 

Phil’s "predictions" are announced in a dialect known as "Groundhogese," and his handlers claim he is over a century old thanks to a magical elixir. 

 

Phil gets it right about 40% of the time

The Absurdity That Endures 

Groundhog Day embodies the American penchant for turning the ordinary into the extraordinary (Hense, recent Presidential election). What started as a weather superstition has become a national event celebrated with festivals, parades, and even a hit movie (Groundhog Day, 1993), which added a philosophical spin to the absurdity. 

 While meteorologists may scoff—Phil’s accuracy is about 40%—and that's not so hot. If he were Las Vegas Phil and produeed such low odds, he'd be Mojave Desert Phil in a flash.  But let's not be so serious, the tradition persists because it’s fun. It speaks to a love of ritual, a sense of humor, and a willingness to embrace the absurd to brighten a winter’s day. 

 Groundhog Day reminds us that sometimes, life’s most enduring traditions aren’t about practicality—they’re about joy, connection, and a touch of silliness. 

COFFEE BEANS & BEINGS / NEIGHBORHOOD COFFEE SHOP, 1950

Lazaros Coffee House: A 1950s Tarpon Springs Icon 

In 1950s Tarpon Springs, Florida, Lazaros Coffee House was more than just a café—it was a cultural crossroads. Opened in 1952 by Greek immigrant Nikos Lazaros, the small coffee house became a gathering place for artists, musicians, and thinkers. It reflected the town’s vibrant Greek-American identity while offering something uniquely its own. 

Lazaros blended the flavors of its heritage with the creative energy of the times. The menu featured bold, traditional Greek coffee brewed in briki pots, paired with sweet pastries like baklava. Local artwork covered the walls, while a well-loved upright piano in the corner often served as the centerpiece for impromptu jazz and folk performances. 

The café attracted a diverse crowd: poets reciting their latest verses, musicians experimenting with new sounds, and locals engaged in animated debates about art, politics, and civil rights. Open mic nights were a highlight, giving everyone from seasoned performers to first-timers a platform to share their voices. Nikos Lazaros encouraged the exchange of ideas, fostering an atmosphere of inclusivity and creativity. 

Though the coffee house closed in the early 1960s as the town changed and modernized, its legacy endures. Lazaros Coffee House remains a cherished memory for those who experienced its unique blend of culture, camaraderie, and the rich aroma of freshly brewed coffee.

FRIDAY FOIBLES / GOP HAS ITS PRESIDENT; THE REST OF US HAVE THE KING OF GREASE

Image: Clay Jones

 

Image: Michael Moreu

THE FOODIST / FLORA MAKES A CLASSY DEBUT

By Holden DeMayo, PillartoPost.org dining critic--On University Avenue tucked into the eclectic heart of North Park, San Diego, Flora has quickly become a neighborhood favorite for its fresh take on food and welcoming atmosphere. 

Located near a threshold corner surrounded by quirky shops, craft beer emporiums, yoga dens and other local eateries, Flora is a welcome balance between casual charm and culinary creativity. 

 Flora’s philosophy is simple: add joy to the seasons, support local farmers, and create dishes that let the ingredients shine. While not strictly vegetarian, vegetables take center stage on the menu, with thoughtfully sourced proteins playing a supporting role. 

It’s food that feels good—for you and for the planet. Step inside, and you’ll find an inviting space with reclaimed wood tables, walls adorned with native greenery, and soft lighting, Flora is a bit more modern than the Arts & Crafts North Park community. 

 The menu changes with the seasons, but every dish is crafted to highlight the best of what’s fresh and local. A few early favorites include: 

• Charred Cauliflower Steak: Smoky romesco sauce, toasted almonds, and a pop of preserved lemon make this dish a standout. 

• Heirloom Grain Risotto: A comforting mix of farro and wild rice, crowned with roasted mushrooms and finished with a touch of truffle oil. 

• Catch of the Day: Always fresh, always local, and prepared with care to bring out its natural flavors. 

* Dessert: Citrus Olive Oil Cake—topped with rosemary-infused whipped cream and candied orange peel—has quickly earned a devoted following. 

 Flora’s drink menu is just as thoughtful, featuring natural wines, craft beers, and a playful lineup of cocktails. Try the refreshing Garden Gimlet, with cucumber-infused gin and basil, or the smoky, citrusy Sage Paloma, a mezcal-based treat with fresh grapefruit and a hint of sage. 

Flora is also becoming a millennial gathering spot for the community. From farm-to-table dinners to cooking workshops, Flora is a change of pace that supports local farms and artisans. Flora has been warmly received Thursdays thru Sundays since its 2024 opening, with diners praising its welcoming brunch to dusk vibe, creative dishes, and attentive service. Critics so far love its balance of innovation and comfort—proof that great food doesn’t have to be fussy. 

DESIGN / NEUTRA IN FLAMES

 

TOTAL LOSS. Hees House by modernist architect Richard Neutra was
destroyed in the LA area wildfires in January 2025.

Two houses designed by renowned modernist architect Richard Neutra—known as the Hees House (top) and the Kesler House—have tragically been destroyed by the Pacific Palisades Fire, the most catastrophic of the wildfires that have devastated communities across Los Angeles in recent weeks. 

The Hees House. Built in 1950 for John Hees, a successful Los Angeles-based attorney, this residence was a quintessential example of Neutra’s approach to harmonizing indoor and outdoor spaces. The Hees House featured Neutra's signature floor-to-ceiling glass walls, designed to maximize natural light and integrate the serene landscape of the Pacific Palisades into the living experience. Hees, a patron of modernist architecture, sought Neutra specifically for his innovative ability to create functional yet aesthetically groundbreaking homes. 

The Kesler House (left) completed in 1953 for the Kesler family, this home embodied Neutra’s focus on simplicity and balance. The Keslers, a couple passionate about modern design, wanted a family-friendly home that still adhered to Neutra’s principles of open floor plans and strong geometric lines. The house was celebrated for its cantilevered terraces, which offered breathtaking views of the Pacific coastline. 

About: Richard Neutra Richard Neutra (1892–1970) was an Austrian-American architect whose work epitomized the mid-century modern movement, especially on the West Coast. After studying under Adolf Loos in Vienna and later working with Frank Lloyd Wright, Neutra established himself as one of the most influential architects in the United States. His designs are known for their integration with the surrounding environment, innovative use of materials, and focus on the health and well-being of occupants—a philosophy he termed "biorealism." Neutra’s work, including iconic projects like the Kaufmann Desert House in Palm Springs, remains celebrated for its timeless elegance and environmental responsiveness. 

The destruction of the Hees and Kesler houses represents not only a loss of architectural history but also of cultural heritage, as these homes symbolized a pioneering era of design in Los Angeles. 

AMERICANA / RED STATES IN WINTER

 

MEDIA MONDAY / FAMOUS AMANUENSIS USERS COME OUT OF THE CLOSET

Tertius served as Apostle Paul’s dedicated secretary, playing a vital role in helping him compose the letter to the Romans. In ancient times, secretaries were commonly employed to assist individuals who were either illiterate or required help in crafting precise and polished documents.

Throughout history, many famous writers and artists have relied on the use of an amanuensis (a person employed to write or type what another dictates or to assist with manuscripts). Here are notable examples: 

Writers: 

1. John Milton - The author of Paradise Lost dictated his work to various amanuenses, including his daughters, after becoming blind in his later years. 

2. Henry James - The novelist used an amanuensis later in life due to problems with his hands. He would dictate his stories and revisions to a secretary, which influenced his writing style to become more elaborate and conversational. 

3. Charles Dickens - While Dickens often wrote extensively himself, he occasionally dictated portions of his works to an amanuensis, particularly when pressed for time. 

4. Friedrich Nietzsche - Due to failing eyesight and physical ailments, Nietzsche relied on his sister and other helpers to transcribe his writings in his later years. 

5. Samuel Taylor Coleridge - Coleridge often dictated his poetry and philosophical musings to his friends and assistants due to his reliance on laudanum and general health issues. 

6. James Joyce - During the writing of Finnegans Wake, Joyce's deteriorating eyesight necessitated the use of assistants, including Samuel Beckett, who would take dictation. 

7. Winston Churchill - Churchill, known for his prodigious writing output, frequently dictated to secretaries who acted as his amanuenses, helping him produce speeches, books, and essays. 

Artists: 

1. Leonardo da Vinci - Leonardo is believed to have employed assistants in his workshops, and while not strictly an amanuensis, his students and apprentices often helped with documenting his ideas and creating preliminary drawings. 

2. Michelangelo - Michelangelo had assistants who helped document and manage his voluminous correspondence and contracts. 

3. Henri Matisse - In his later years, Matisse relied on assistants to execute his cut-out artwork as he directed them due to his physical limitations. 

4. Francisco Goya - During his later years, Goya may have relied on assistants to help with the physical execution of some of his works while he directed the creative process. 

These examples highlight how the use of an amanuensis has supported the creative output of some of history’s most celebrated figures, allowing them to overcome physical challenges or time constraints.

THE ETYMOLOGY OF AMANUENSIS 

In Latin, the phrase servus a manu translates loosely as "slave with secretarial duties." (The noun manu, meaning "hand," gave us words such as manuscript, which originally referred to a document written or typed by hand.) In the 17th century the second part of this phrase was borrowed into English to create amanuensis, a word for a person who is employed (willingly) to do the important but sometimes menial work of transcribing the words of another. While other quaint words, such as scribe or scrivener, might have similarly described the functions of such a person in the past, these days we're likely to call him or her a secretary or an administrative assistant. 

 Usage: "...My sons acted en amanuensis while I was injured." 

SUNDAY REVIEW / THE GUY IS A MYSTERY AND MOST PUZZLING

Longo at a recent crossword puzzle tourney

MORE ON CROSSWORD CZAR FRANK LONGO

 As a puzzle aficionado, especially daily crosswords, I find the Sunday Premiere puzzle created by Frank A. Longo a remarkable ongoing feat of magic. He is a relatively young man who is a renowned American puzzle creator and author, celebrated for his contributions to the world of crosswords and other puzzles. Not much is known about his personal life except that since beginning his career in 1993, he has had more than 3,000 crossword puzzles published in various outlets, including The New York Times and Games World of Puzzles. 

In addition to crosswords, Longo has authored more than 90 books, which have collectively sold over 2 million copies. He is known for creating unique and challenging puzzles, such as a 50x50 grid crossword and the "Jumbo Puzzles" compilation of 29x29 puzzles. Longo is also credited with creating The New York Times Spelling Bee anagram puzzle, which has become a favorite among word game enthusiasts. His innovative approach and dedication to the craft have influenced many other puzzle creators, including Brendan Emmett Quigley and Joanne Sullivan. His puzzles are known for their creativity and complexity, challenging and delighting solvers around the world. 

Want to take on Frank Longo in a crossword duel?  Suggest you tackle his book of hard-as-hell crosswords first to see what you're up against.

COFFEE BEANS & BEINGS / NUUK, GREENLAND'S ONLY ROASTER

By Perkins Brown, PillartoPost.org Coffee Editor--Amid the icy expanse of Nuuk, Greenland, where Arctic traditions meet the modern world, Kaffivik Coffee House is a warm beacon of good coffee, innovation and culture. 

Born in December 2018 from the shared vision of three friends determined to elevate Greenland’s coffee scene, Kaffivik has redefined how this remote capital city enjoys its daily brew. Importing green beans from around the world, the Nuuk based cafe is known for being the only café in Greenland to roast its own coffee, 

Kaffivik has become a popular spot in Western Greenland for locals and visitors alike. The café’s owners, Julie and Svend Hardenberg, have infused Kaffivik with their shared passion for coffee and culture. Central to the café is its roaster—a rare find in a place as remote as Nuuk. 

 Kaffivik roasts its small batches of beans into rich, aromatic blends. This hands-on approach ensures every cup is as fresh and flavorful as possible, offering a unique coffee experience that’s hard to match. 

Julie Hardenberg, one of Greenland’s most prominent Inuit artists, has also left her creative mark on the space. The café’s décor is a harmonious blend of modern Nordic aesthetics and traditional Inuit influences, reflecting the deep cultural heritage of Greenland. 

Julie’s artwork, inspired by the landscapes and traditions of her homeland, adorns the walls, making Kaffivik a haven for art lovers as well as coffee enthusiasts. 

Kaffivik is more than a coffee house—it’s a cultural experience. Visitors can savor their expertly roasted coffee while enjoying breathtaking views of Nuuk Fjord and the iconic Sermitsiaq mountain. Pair your drink with one of their locally inspired treats, such as musk ox jerky or cakes made with crowberries, a delicacy native to the Arctic. 

For those curious about Greenlandic culture, Kaffivik offers an authentic window into Nuuk’s artistic and culinary scene. Whether you’re a resident looking for a cozy escape or a traveler eager to experience Greenland’s unique charm, Kaffivik is a must-visit. 

Kaffivik Coffee is where the red circle appears on the map of downtown Nuun.

Fun Facts About Nuuk and Greenland 

• Small but Mighty: Nuuk is home to about 19,000 people, making it one of the smallest capitals in the world, yet it boasts a thriving arts scene and modern amenities. 

• Midnight Sun and Northern Lights: Depending on the season, visitors can enjoy either endless summer daylight or the dazzling northern lights. 

• Arctic Cuisine: Nuuk’s food scene features traditional ingredients like seal, whale, and reindeer, but Kaffivik stands out as a modern take on Greenlandic hospitality. 

• Kalaallisut Language: You might hear the locals speaking Kalaallisut, Greenland's official language, alongside Danish and English. 

• Accessible Wilderness: Nuuk offers incredible outdoor adventures just minutes from the city center, from fjord cruises to hiking trails. 

Kaffivik embodies the spirit of this outpost city—resilient, creative, and deeply connected to its roots. For coffee lovers and culture seekers, this café is a true Arctic treasure.

AMERICANA / BIDEN'S LETTER TO NEXT PRESIDENT REVEALED.

 

WASHINGTON ― Former President Joe Biden told the top White House occupant "may God bless you and guide you" in a letter he left in the Resolute Desk of the Oval Office before his exit. The full letter, which was signed by Biden and dated Jan. 20, 2025, reads: "...As I take leave of this sacred office I wish you and your family all the best in the next four years. The American people--and the people around the world--look to this house for steadiness in the inevitable storms of history, and my prayer is that in the coming years will be a time of prosperity, peace and grace for our nation. May God bless you and guide you as He has blessed and guided our beloved country since its founding."

Biden's gesture follows a 36-year tradition of an outgoing president leaving a letter for their successor to find. --from USA TODAY. 

THE FOODIST / COZY TACO SHOP IN GREENWICH VILLAGE

Photo: Supakij Khomvilai

GUEST BLOG / By Holden DeMayo, restaurant critic, PillartoPost.org--Nestled in the vibrant heart of Greenwich Village, The Little Taco House, 246 West 4th Street, NYC, offers big flavors in a cozy, no-frills setting. This unassuming spot embraces authenticity, serving up a menu that pays homage to traditional Mexican street food with a creative twist. 

The Tacos: The stars of the show are, of course, the tacos. Handmade tortillas cradle perfectly seasoned fillings like succulent carnitas, smoky chipotle chicken, and a surprisingly hearty mushroom-and-poblano option for vegetarians. Each bite bursts with freshness, thanks to bright salsas, crisp radishes, and a hint of lime. 

Ambiance: With its eclectic decor—think string lights, colorful tiles, and a mix of vintage and urban art—the shop exudes the laid-back charm of a neighborhood haunt. The staff is friendly and quick to offer recommendations, enhancing the welcoming vibe. 

Beyond Tacos: While tacos reign supreme, don’t overlook the elote (grilled corn smothered in cheese and chili) or the guacamole, which strikes the perfect balance of creamy and zesty. The drinks menu is equally tempting, featuring aguas frescas and a small but thoughtful selection of margaritas. 

The Verdict: Whether you're grabbing a quick bite or lingering over a casual meal, The Little Taco House delivers. Its reasonable prices and vibrant flavors make it a standout in the Village’s crowded food scene. If you find yourself wandering Greenwich Village, follow the tantalizing aroma of grilled tortillas—you won’t be disappointed. 

HAVE YOU NO SENSE OF DECENCY, SIR?

 

TRAVEL TUESDAY / CARLSBAD CAVERNS FOR THE AVERAGE JOE & JANE

Exploring Carlsbad Caverns: A Journey Beneath the Surface 

Carlsbad Caverns National Park, located in the Guadalupe Mountains of southeastern New Mexico, is one of nature’s most awe-inspiring wonders. Beneath the rugged desert landscape lies a subterranean marvel of vast chambers, intricate rock formations, and a history that stretches back millions of years. 

A Brief History 

The caverns were formed over 250 million years ago during the Permian period when the region was submerged under an inland sea. As the sea evaporated, it left behind a massive reef of limestone. Over time, sulfuric acid dissolved the limestone, creating the vast underground chambers we see today. The caves were known to Indigenous peoples long before European settlers arrived. Artifacts suggest the area was used for shelter and ceremonies. In the late 19th century, cowboys like Jim White, who is credited with extensive exploration of the caverns, popularized the site. White’s lantern-lit tours and vivid descriptions of the “bat flight” phenomenon drew early visitors. Carlsbad Caverns became a National Monument in 1923 and was designated a National Park in 1930. It is also a UNESCO World Heritage Site, recognized for its unique geological and biological significance. 

What to See and Do 

--The Big Room: This iconic chamber, the largest single cave chamber in North America by volume, stretches over 8 acres. It’s adorned with stalactites, stalagmites, and stunning draperies of rock. Visitors can walk a self-guided tour or take a ranger-led one for deeper insights. 

--The Bat Flight Program: From late spring through early fall, thousands of bats emerge at dusk from the caverns in a breathtaking display. This natural event has been a visitor favorite for decades. 

--Underground Lunchroom: Yes, you can dine underground! [See photo above]. Located 750 feet below the surface, this lunchroom offers a truly unique experience, with picnic tables where you can take a break during your exploration. 

--Ranger-Led Tours: For the adventurous, ranger-led tours explore lesser-known areas like the King’s Palace, Left Hand Tunnel, or Hall of the White Giant. Some of these require crawling and climbing, offering a thrilling perspective of the caves. 

--Visitor Center Amenities: The above-ground visitor center offers exhibits on the geology and history of the caverns, a gift shop, and a café. It’s an excellent starting point for any visit. 

--Hiking Trails: The park features several surface trails that offer stunning views of the Chihuahuan Desert and opportunities to spot unique wildlife. 

Tips for Visiting 

• Reservations: Many tours require advanced booking, especially during peak seasons. 

• Comfortable Clothing: The caves maintain a cool 56°F year-round, so dress in layers. 

• No Pets Underground: Pets are allowed on surface trails but not in the caverns. 

• Accessibility: The Natural Entrance and Big Room trails are paved and accessible, but some areas may require assistance for those with mobility challenges. 

Why Visit? 

Carlsbad Caverns is more than just a geological marvel; it’s a place of wonder and discovery. Whether you’re captivated by the delicate beauty of formations like the Chandelier or mesmerized by the flight of bats under a setting sun, this national park offers experiences that linger long after your visit. So pack your curiosity and head to Carlsbad Caverns—a journey into the heart of the earth awaits! 

How to get there. 

 The nearest international airport to Carlsbad Caverns National Park is El Paso International Airport (ELP) in El Paso, Texas. 

Key Details: 

• Distance: Approximately 145 miles northwest of the park. 

• Drive Time: Around 2.5 to 3 hours by car. 

• Rental Cars: Available at the airport, with major rental companies operating on-site. 

• Alternate Airports: For domestic travelers, Cavern City Air Terminal (CNM) in Carlsbad, New Mexico, offers limited regional flights and is only about 20 miles from the park. 

MEDIA MONDAY/ GOOD STUFF IN BIDEN'S FAREWELL ADDRESS

GUEST BLOG / By Associated Press reporters Chris Megerian and Colleen Long--With only days left in the White House, President Joe Biden was saving a few surprises for his farewell address last week. Instead of simply summing up his term in office, he used the opportunity to issue dire warnings about the future and call for deep changes to the country’s foundational document. 

Biden’s term ends Monday, when he’ll be replaced by a man he has called an existential threat to the nation. Here’s a look at what was likely the last major speech of a political career spanning more than five decades: 

 Biden sent an ominous message about future dangers 

The outgoing president used the opportunity to deliver a series of warnings to the American people, much like Dwight Eisenhower did in 1961 when he expressed concerns about the “military industrial complex” in his farewell address. 

 Biden said “an oligarchy is taking shape in America” as power and money become more concentrated in the hands of the few. He criticized the “tech industrial complex” and social media, where “the truth is smothered by lies told for power and for profit.” He urged the country to continue confronting climate change, saying, “We must not be bullied into sacrificing the future.” 

 It was a stark assessment for a politician who prides himself on optimism. Still, as if to prove his point about misinformation, Trump’s incoming communications director and press secretary started falsely claiming on social media that Biden’s speech was prerecorded. 

 The president called for a constitutional amendment 

Biden used the speech to announce one of his most ambitious proposals. He wants an amendment to the U.S. Constitution “to make clear that no president — no president — is immune from crimes that he or she commits while in office.” 

 The proposal is related to a landmark Supreme Court ruling from last summer, when justices said former presidents have broad immunity for official acts while they’re in the White House. The ruling had major legal consequences, significantly narrowing the case against Trump for attempting to overturn his 2020 loss. The charges were dismissed following Trump’s win in November because sitting presidents can’t be prosecuted. 

In addition, Biden has been deeply troubled by the possibility that it would turn presidents into unaccountable kings. Biden had other ideas, too. He said there should be higher taxes on billionaires, stricter rules on campaign contributions, 18-year term limits for Supreme Court justices and a ban on stock trading for members of Congress. 

 It’s been a long goodbye for Biden 

His recent farewell speech Wednesday evening was one of several events Biden was holding as he winds down his time in the White House. He gave a speech on foreign policy at the State Department on Monday, and he’s granted a handful of interviews. He also named new national monuments, issued new rules on America’s use of artificial intelligence and announced that a ceasefire had been brokered between Israel and Hamas. 

 His final public appearance before Monday’s inauguration will be on Sunday in South Carolina, where he’s expected to visit the International African American Museum in Charleston. 

The state was a crucial part of his quest for the White House four years ago, helping him secure the Democratic nomination.  

The presidential farewell speech isn’t always at the White House 

Biden chose to speak from the Oval Office, the most presidential of presidential venues. He sat at the Resolute desk, photos of his family behind him. First lady Jill Biden, son Hunter and other family members, including his 4-year-old grandson, Beau, sat in the office as he delivered his speech. Not every president gives a speech in the same spot. President Barack Obama went to his home in Chicago for his farewell speech. George W. Bush spoke from the East Room. Donald Trump never conceded his election loss four years ago, but he delivered a pretaped address that was made public Jan. 19, 2021.  

 Biden gave a nod to his vice president 

Also in the Oval Office were Vice President Kamala Harris and her husband, Doug Emhoff. Harris replaced Biden at the top of the Democratic ticket when he abandoned his reelection bid after a disastrous debate performance. Biden endorsed Harris and hoped she would be replacing him as the country’s first female president. Instead, Harris was watching as Biden talked about a smooth transition to the next administration. Biden said Harris has been “a great partner,” adding that she and Emhoff had become “like family.” When he said that, Jill Biden reached over and squeezed Harris’ hands. 

Thank you, President Biden

SUNDAY REVIEW / A TALE OF TWO NAKEDS

GUEST BLOG / By Huntington Peck, Literary Critic with PillartoPost.org online daily magazine style blog--Maybe not in your neighborhood, but in mine corner mini libraries are popular.  I count dozens in San Diego's North Park and South Park communities.  Being an avid reader of contemporary fiction and an exercise walker, I happened upon one such mailbox sized library.  To my surprise, two novels [The Naked and the Dead and Naked Lunch] shared the same shelf.  I couldn't resist the side-by-side serendipity and grabbed both and took them home to read over the holidays.  In the spirit of free 'hood libraries I returned two copies of recent Paris Review magazines for my part of the trade the next day.

I learned what I suspected all along was these two classic novels of 20th-century literature may share a provocative keyword in their titles but couldn’t be more different in tone, theme, and narrative structure. Herein is my humble comparison of these literary milestones. 

Norman Mailer’s The Naked and the Dead 

Published in 1948, The Naked and the Dead is a monumental war novel, often heralded as one of the greatest depictions of World War II. This sprawling work (around 720 pages in most editions) follows a platoon of soldiers fighting in the Pacific theater. It’s as much about the psychological toll of war as it is about the external battle, delving into class struggles, leadership dynamics, and the nature of fear. 

Mailer’s dense prose and realistic dialogue make it a quintessential example of mid-century American realism. 

• Length: Roughly 225,000 words 

• Themes: War, power, masculinity, mortality 

• Style: Traditional narrative with omniscient perspective, introspective character studies 

William S. Burroughs’ Naked Lunch 

First published in 1959, Naked Lunch is an avant-garde masterpiece that defies conventional storytelling. A non-linear and hallucinatory exploration of addiction, societal decay, and personal liberation, it plunges readers into a surreal landscape populated by bizarre characters. 

Burroughs’ raw, fragmented prose mirrors the chaos of his subjects, making this book an essential read for those interested in Beat Generation literature and experimental fiction. 

• Length: Around 65,000 words 

• Themes: Addiction, counterculture, censorship, surrealism 

• Style: Fragmented, surreal, heavily influenced by Burroughs’ experiences with drugs 

Key Differences 

1. Length: The Naked and the Dead is nearly four times longer, reflecting its epic scope. 

2. Structure: Mailer opts for a cohesive narrative, while Burroughs embraces a fragmented, episodic format. 

3. Tone: Mailer’s work is grounded in gritty realism, whereas Burroughs’ is a surreal fever dream. 

4. Legacy: Both were controversial in their time (The Naked and the Dead for its candid depiction of war, Naked Lunch for its explicit content) and continue to influence writers across genres. 

Conclusion 

While The Naked and the Dead offers a panoramic view of human struggle through the lens of war, Naked Lunch dives deep into the fractured psyche of addiction and rebellion. Together, they represent two radically different approaches to storytelling and cultural critique—one traditional, the other unbounded. 

Did Norman Mailer and William S. Burroughs ever meet? 

They met, interacted and were photographed together on several occasions, as they were prominent figures in the mid-20th century American literary scene. While they had different styles and approaches to literature, they were both part of the intellectual milieu that included writers, artists, and thinkers of the Beat Generation and beyond. Mailer, known for his brash, confrontational personality, and Burroughs, the more reserved and enigmatic figure, didn’t necessarily share a deep personal friendship but respected each other's contributions to literature. 

Left: William Burroughs [1914-1997]; Norman Mailer [1923-2007]

They appeared together at events and in interviews, and Mailer once referred to Burroughs as "the only living American novelist who may conceivably be possessed by genius." Their encounters highlighted the contrasts in their literary personas: Mailer as the pugilistic chronicler of American life and Burroughs as the experimental, drug-infused chronicler of the subconscious. Despite their differences, their interactions reflected a mutual acknowledgment of their roles in reshaping 20th-century literature.