|"Untitled" by Russell Forester, 1962 via www.modernsandiego.com|
Wednesday, August 31, 2016
Russell Forester was one of southern California’s most innovative postwar modernist artists. As an architect, he was an artist; as a painter and a sculptor, his architectural background permeates his work.
At the height of a successful career, Forester made the decision to close his architectural practice to dedicate his time exclusively to painting and sculp-ture. Trained at the Institute of Design, Chicago, he was greatly influenced by the multi-disciplinary edict of the Bauhaus.
Currently, the exhibition: “Space, Structure, Light: The Art of Russell Forester” runs through Feb. 5, 2017 at the Oceanside Museum of Art, 704 Pier View Way, Oceanside CA 92054. For show details: http://oma-online.org/
The retrospective’s title springs from the repetitive elements used in Forester’s wide body of artwork. Drawn, illuminated, or stitched with thread, innumerable and deliberate dots appear throughout every facet of his pieces, defining the space in every medium and on every surface. Similarly, pen strokes and rows of lights form lines and repeating structures. Light is used both figuratively and literally in rhythmic patterns over the surfaces of both sculptures and drawings.
Tues-Sat. 10 am 4 pm
Sun. 1 pm 4 pm
Addendum: There is a solid feature on Russell Forester art and architecture posted in modernsandiego.com.
Tuesday, August 30, 2016
Photographer Pete McBride, who took this rare and remarkable photograph, hiked with magazine writer Kevin Fedarko and former Grand Canyon ranger Amy Martin along 650 miles of the Grand Canyon of the Colorado River, a feat accomplished by very few. Here Ms. Martin watches a winter sunrise over a section of the Colorado called Conquistador Aisle. She is standing atop the Esplanade formation near Fossil Canyon looking northeast.
To get to this overlook, it took the hikers seven days of hiking for ten hours a day without the benefit of trails. To date this section of Grand Canyon National Park remains one of the most inaccessible parts of our nation.
Because no trails exist along 95 percent of the canyon’s North Rim or along 80 percent of its South Rim fewer people have now hiked the canyon’s length in a single trip (10) than have walked on the moon (12).
An article by Fedarko with McBride’s photographs documenting their journey will appear in the September 2016 issue of National Geographic magazine.
Monday, August 29, 2016
GUEST BLOG / By Michael Hulshof-Schmidt of Social Justice for All-- Let me be as candid and transparent as possible: I was a very strong supporter of Bernie Sanders, and until recently, held out great hope that he would become our next President. Over the course of the past month, I have had to do a great deal of reflecting and ask myself where does this seemingly irrational antipathy for Hillary Clinton come from? Why have I participated in it? After doing some research and looking hard at systemic misogyny, I have had to confront myself with the truth that I bought into a narrative about Hillary Clinton that has been produced, packaged, and perpetuated by mostly the GOP with the help of many democrats and independents.
This narrative is a 30-year-old vilification of a woman who is bright, independent, wealthy, and powerful — a woman who asks for what she wants and needs. How very dare you, Ms. Clinton? How dare you have a mind of your own? How dare you be bright and powerful? How dare you ask for what you want and need? Don’t you know these rights are still exclusively for white, Christian, cisgender, able-bodied, heterosexual men?
ABOUT THE AUTHOR
Michael Hulshof-Schmidt is a blogger. He is the author of this post. He shares his essays with all. His work may be viewed at
My research indicates that the reality — the facts (I realize facts are immaterial when talking to many Trump supporters) — are that Hillary Clinton is one of the most honest politicians tracked by the Pulitzer Prize winning fact-checking project Politifact. I would also call upon Jill Abramson’s piece in the Guardian. Most of you probably know Abramson from the Wall Street Journal or the New York Times. Abramson writes:
As an editor I’ve launched investigations into her business dealings, her fundraising, her foundation and her marriage. As a reporter my stories stretch back to Whitewater. I’m not a favorite in Hillaryland. That makes what I want to say next surprising. Hillary Clinton is fundamentally honest and trustworthy.
Members of the press, in their misguided attempt to be “balanced”, love to point out that we face a presidential contest between the two least-popular candidates ever. What they fail to do is analyze their own complicity in blindly adhering to the cartoon version of Hillary Clinton. Trump is unpopular — even with many Republicans who weakly support him — because of his stated positions. Secretary Clinton is unpopular largely because of an aggressive campaign of fictions and slander. That campaign has succeeded largely because of systemic misogyny.
Journalist Michael Arnovitz points out in his article Thinking About Hillary–A Plea for Reason (I strongly recommend his piece) that propaganda around Hillary’s “dishonest” nature stems from the pablum written by conservative writer William (I can’t be concerned with facts or evidence) Safire. Safire wrote the 1996 article Blizzard of Lies in which he vilifies and demonizes Hillary as a “congenital liar” without any evidence to support his claims. (How’s that for irony?) What I find profoundly sad is how quickly and how easily I — and so many Americans — bought into this false and misogynistic narrative. This tragically illustrates how systemic sexism/misogyny is: how it is in the water we drink, the air we breathe, in every fiber we wear.
In fact, most of the resistance to Hillary initially was about how “smug” she was in pushing that “Universal Health Care” agenda. How dare she want all people to have health insurance–why that means that health care is a community health problem–there she goes again, with a mind of her own! Furthermore, apparently she was not behaving as a First Lady should. What the hell is that? How should a First Lady behave? The intense misogyny is too overwhelming to ignore here, and sadly, we are all implicated in this system of oppression. Just this past June, Hillary was shredded by the media for the Armani jacket she wore. Really? The day she was announced as the Democratic Nominee for President, it was a picture of her husband that made the front page of the paper. This is some intense sexism at work. Did anyone ask what Bill Clinton was wearing and who designed it?
Sadly, any time there is a claim of sexism at play, people roll their eyes as though such a thing does not exist, because women, women of color, people of color, LGBT folk, all of the intersecting identities of all targeted communities are always under suspicion. We are disbelieved disproportionately for asking to be treated the same way our white, heterosexual, Christian, cisgender counterparts are treated. All of a sudden being treated equally becomes “special rights.” So say those within the dominant narrative and power structure.
While I have never been a fan of David Brooks, he actually was able to offer some reflection and repair work on Friday’s NPR commentary with E.J. Dionne. Brooks made the claim that Hillary is too guarded (why wouldn’t she be?). Kudos to E.J. Dionne for pointing out the double standard to Brooks, that he would not make the same claim about a male candidate for President. Brooks connected and agreed that this was a sexist statement.
What I find profoundly sad is the blatant double standard of how we individually and collectively punish women who seek power, as opposed to how we reward men for the same ambition. As Arnovitz notes in his article:
What I see is that the public view of Hillary Clinton does not seem to be correlated to “scandals” or issues of character or whether she murdered Vince Foster. No, the one thing that seems to most negatively and consistently affect public perception of Hillary is any attempt by her to seek power. Once she actually has that power her polls go up again. But whenever she asks for it her numbers drop like a manhole cover…Even NBC news, looking back over decades of their own polls, stated that, “she’s struggled to stay popular when she’s on the campaign trail.” If this has nothing to do with gender, then wouldn’t the same thing happen to men when they campaign? But it doesn’t. Why not?
When I try to ask people for specific examples of why they “hate” Hillary, or how has she been dishonest, all I get is “everyone knows she is,” or “that’s just the way I feel.” These two answers are problematic in so many ways. Regardless, this sentiment is testament to how effective the messaging/propaganda from Republicans has been over the past two decades. All I am asking is this: can we slow down and think critically and not accept without caution or question what is presented to us as the narrative of Hillary Clinton? Can we also allow for the fact that she has made mistakes and more importantly that she grows and learns from her mistakes.
I know I have gone from a true supporter of Bernie Sanders to an apathetic supporter of Hillary to now an excited and enthusiastic supporter of our first female President. It’s certainly true that she isn’t as progressive a candidate as I would like. Neither was Bernie and his stand on guns. Neither is absurd long-shot Jill Stein and her strange anti-science positions. That’s the reality of American politics in 2016.
I truly believe that Hillary and her platform are beneficial to targeted communities: people of color, people in poverty, people with disabilities, veterans, LGBTQ people, and all of the intersecting identities thereof. She is a hard-working, fundamentally honest person for whom — as she so nicely framed it — “the service part has always come easier than the public part.” I welcome people’s input here. All I ask is that you put in check any misogynistic comments and please have evidence to support your assertions.
Every election matters, but this one has even deeper resonance than most. Please remember to vote:
MORE ABOUT THE AUTHOR
Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes. –Walt Whitman
While I’ve always thought of blogging as a strange process, I’ve come to see its value in the sharing of important ideas. This is not the country I thought I’d live in as I reached middle age. I was hopeful that by the time I reached middle age, we would have universal health care for all people regardless; that it would just be a part of being human. I was hopeful that we would be much farther along in addressing issues of poverty, homelessness, and racial inequities. I am quite sad at how far we have to go to eradicate racism, homophobia, misogyny, poverty, and all the ways we marginalize and target people.
I encourage people to contribute to this blog and share ideas. All I ask is that everyone be respectful, as we all work towards global equity, equality, and sustainability.
Social Justice For All is an active part of the online community. Please feel free to share the contents of this blog, either through linking or reposting. When reposting, please provide attribution to Social Justice For All with a link back to this blog:
All original content is the property of Michael Hulshof-Schmidt and Social Justice For All, ©2016, all rights reserved.
Sunday, August 28, 2016
Editor’s Note: The public domain excerpt below is titled “The Coin of Dionysius” by Ernest Bramah. It was the opening story of his “Four Max Carrados Detective Stories,” which was published in 1914. Project Gutenberg has placed the work on the public domain. For more on Project Gutenberg: www.gutenberg.org
THE COIN OF DIONYSIUS
By Ernest Bramah
It was eight o'clock at night and raining, scarcely a time when a business so limited in its clientele as that of a coin dealer could hope to attract any customer, but a light was still showing in the small shop that bore over its window the name of Baxter, and in the even smaller office at the back the proprietor himself sat reading the latest Pall Mall. His enterprise seemed to be justified, for presently the door bell gave its announcement, and throwing down his paper Mr. Baxter went forward.
As a matter of fact the dealer had been expecting someone and his manner as he passed into the shop was unmistakably suggestive of a caller of importance. But at the first glance towards his visitor the excess of deference melted out of his bearing, leaving the urbane, self-possessed shopman in the presence of the casual customer.
"Mr. Baxter, I think?" said the latter. He had laid aside his dripping umbrella and was unbuttoning overcoat and coat to reach an inner pocket. "You hardly remember me, I suppose? Mr. Carlyle—two years ago I took up a case for you—"
"To be sure. Mr. Carlyle, the private detective—"
"Inquiry agent," corrected Mr. Carlyle precisely.
"Well," smiled Mr. Baxter, "for that matter I am a coin dealer and not an antiquarian or a numismatist. Is there anything in that way that I can do for you?"
"Yes," replied his visitor; "it is my turn to consult you." He had taken a small wash-leather bag from the inner pocket and now turned something carefully out upon the counter. "What can you tell me about that?"
The dealer gave the coin a moment's scrutiny.
"There is no question about this," he replied. "It is a Sicilian tetradrachm of Dionysius."
"Yes, I know that—I have it on the label out of the cabinet. I can tell you further that it's supposed to be one that Lord Seastoke gave two hundred and fifty pounds for at the Brice sale in '94."
"It seems to me that you can tell me more about it than I can tell you," remarked Mr. Baxter. "What is it that you really want to know?"
"I want to know," replied Mr. Carlyle, "whether it is genuine or not."
Ernest Bramah (1868 to 1942), born Ernest Brammah Smith, was an English author. He published 21 books and numerous short stories and features.
"Has any doubt been cast upon it?"
"Certain circumstances raised a suspicion—that is all."
The dealer took another look at the tetradrachm through his magnifying glass, holding it by the edge with the careful touch of an expert. Then he shook his head slowly in a confession of ignorance.
"Of course I could make a guess—"
"No, don't," interrupted Mr. Carlyle hastily. "An arrest hangs on it and nothing short of certainty is any good to me."
"Is that so, Mr. Carlyle?" said Mr. Baxter, with increased interest. "Well, to be quite candid, the thing is out of my line. Now if it was a rare Saxon penny or a doubtful noble I'd stake my reputation on my opinion, but I do very little in the classical series."
Mr. Carlyle did not attempt to conceal his disappointment as he returned the coin to the bag and replaced the bag in the inner pocket.
"I had been relying on you," he grumbled reproachfully. "Where on earth am I to go now?"
"There is always the British Museum."
"Ah, to be sure, thanks. But will anyone who can tell me be there now?"
"Now? No fear!" replied Mr. Baxter. "Go round in the morning—"
"But I must know to-night," explained the visitor, reduced to despair again. "Tomorrow will be too late for the purpose."
Mr. Baxter did not hold out much encouragement in the circumstances.
"You can scarcely expect to find anyone at business now," he remarked. "I should have been gone these two hours myself only I happened to have an appointment with an American millionaire who fixed his own time." Something indistinguishable from a wink slid off Mr. Baxter's right eye. "Offmunson he's called, and a bright young pedigree-hunter has traced his descent from Offa, King of Mercia. So he—quite naturally—wants a set of Offas as a sort of collateral proof."
"Very interesting," murmured Mr. Carlyle, fidgeting with his watch. "I should love an hour's chat with you about your millionaire customers—some other time. Just now—look here, Baxter, can't you give me a line of introduction to some dealer in this sort of thing who happens to live in town? You must know dozens of experts."
"Why, bless my soul, Mr. Carlyle, I don't know a man of them away from his business," said Mr. Baxter, staring. "They may live in Park Lane or they may live in Petticoat Lane for all I know. Besides, there aren't so many experts as you seem to imagine. And the two best will very likely quarrel over it. You've had to do with 'expert witnesses,' I suppose?"
"I don't want a witness; there will be no need to give evidence. All I want is an absolutely authoritative pronouncement that I can act on. Is there no one who can really say whether the thing is genuine or not?"
Mr. Baxter's meaning silence became cynical in its implication as he continued to look at his visitor across the counter. Then he relaxed.
"Stay a bit; there is a man—an amateur—I remember hearing wonderful things about some time ago. They say he really does know."
"There you are," explained Mr. Carlyle, much relieved. "There always is someone. Who is he?"
"Funny name," replied Baxter. "Something Wynn or Wynn something." He craned his neck to catch sight of an important motor-car that was drawing to the kerb before his window. "Wynn Carrados! You'll excuse me now, Mr. Carlyle, won't you? This looks like Mr. Offmunson."
Mr. Carlyle hastily scribbled the name down on his cuff.
"Wynn Carrados, right. Where does he live?"
"Haven't the remotest idea," replied Baxter, referring the arrangement of his tie to the judgment of the wall mirror. "I have never seen the man myself. Now, Mr. Carlyle, I'm sorry I can't do any more for you. You won't mind, will you?"
Mr. Carlyle could not pretend to misunderstand. He enjoyed the distinction of holding open the door for the transatlantic representative of the line of Offa as he went out, and then made his way through the muddy streets back to his office. There was only one way of tracing a private individual at such short notice—through the pages of the directories, and the gentleman did not flatter himself by a very high estimate of his chances.
Fortune favoured him, however. He very soon discovered a Wynn Carrados living at Richmond, and, better still, further search failed to unearth another. There was, apparently, only one householder at all events of that name in the neighbourhood of London. He jotted down the address and set out for Richmond.
The house was some distance from the station, Mr. Carlyle learned. He took a taxicab and drove, dismissing the vehicle at the gate. He prided himself on his power of observation and the accuracy of his deductions, which resulted from it—a detail of his business. "It's nothing more than using one's eyes and putting two and two together," he would modestly declare, when he wished to be deprecatory rather than impressive. By the time he had reached the front door of "The Turrets" he had formed some opinion of the position and tastes of the people who lived there.
A man-servant admitted Mr. Carlyle and took his card—his private card, with the bare request for an interview that would not detain Mr. Carrados for ten minutes. Luck still favoured him; Mr. Carrados was at home and would see him at once. The servant, the hall through which they passed, and the room into which he was shown, all contributed something to the deductions which the quietly observant gentleman was half unconsciously recording.
"Mr. Carlyle," announced the servant.
The room was a library or study. The only occupant, a man of about Carlyle's own age, had been using a typewriter up to the moment of his visitor's entrance. He now turned and stood up with an expression of formal courtesy.
"It's very good of you to see me at this hour," apologised Mr.
The conventional expression of Mr. Carrados's face changed a little.
"Surely my man has got your name wrong?" he explained. "Isn't it Louis Calling?"
Mr. Carlyle stopped short and his agreeable smile gave place to a sudden flash of anger or annoyance.
"No sir," he replied stiffly. "My name is on the card which you have before you."
"I beg your pardon," said Mr. Carrados, with perfect good-humour. "I hadn't seen it. But I used to know a Calling some years ago—at St. Michael's."
"St. Michael's!" Mr. Carlyle's features underwent another change, no less instant and sweeping than before. "St. Michael's! Wynn Carrados? Good heavens! it isn't Max Wynn—old 'Winning' Wynn"?
"A little older and a little fatter—yes," replied Carrados. "I have changed my name you see."
"Extraordinary thing meeting like this," said his visitor, dropping into a chair and staring hard at Mr. Carrados. "I have changed more than my name. How did you recognize me?"
"The voice," replied Carrados. "It took me back to that little smoke-dried attic den of yours where we—"
"My God!" exclaimed Carlyle bitterly, "don't remind me of what we were going to do in those days." He looked round the well-furnished, handsome room and recalled the other signs of wealth that he had noticed. "At all events, you seem fairly comfortable, Wynn."
"I am alternately envied and pitied," replied Carrados, with a placid tolerance of circumstance that seemed characteristic of him. "Still, as you say, I am fairly comfortable."
"Envied, I can understand. But why are you pitied?"
"Because I am blind," was the tranquil reply.
"Blind!" exclaimed Mr. Carlyle, using his own eyes superlatively. "Do you mean—literally blind?"
"Literally…. I was riding along a bridle-path through a wood about a dozen years ago with a friend. He was in front. At one point a twig sprang back—you know how easily a thing like that happens. It just flicked my eye—nothing to think twice about."
"And that blinded you?"
"Yes, ultimately. It's called amaurosis."
"I can scarcely believe it. You seem so sure and self-reliant. Your eyes are full of expression—only a little quieter than they used to be. I believe you were typing when I came….Aren't you having me?"
"You miss the dog and the stick?" smiled Carrados. "No; it's a fact."
"What an awful affliction for you, Max. You were always such an impulsive, reckless sort of fellow—never quiet. You must miss such a fearful lot."
"Has anyone else recognized you?" asked Carrados quietly.
"Ah, that was the voice, you said," replied Carlyle.
"Yes; but other people heard the voice as well. Only I had no blundering, self-confident eyes to be hoodwinked."
"That's a rum way of putting it," said Carlyle. "Are your ears never hoodwinked, may I ask?"
"Not now. Nor my fingers. Nor any of my other senses that have to look out for themselves."
"Well, well," murmured Mr. Carlyle, cut short in his sympathetic emotions. "I'm glad you take it so well. Of course, if you find it an advantage to be blind, old man——" He stopped and reddened. "I beg your pardon," he concluded stiffly.
"Not an advantage perhaps," replied the other thoughtfully. "Still it has compensations that one might not think of. A new world to explore, new experiences, new powers awakening; strange new perceptions; life in the fourth dimension. But why do you beg my pardon, Louis?"
"I am an ex-solicitor, struck off in connexion with the falsifying of a trust account, Mr. Carrados," replied Carlyle, rising.
"Sit down, Louis," said Carrados suavely. His face, even his incredibly living eyes, beamed placid good-nature. "The chair on which you will sit, the roof above you, all the comfortable surroundings to which you have so amiably alluded, are the direct result of falsifying a trust account. But do I call you 'Mr. Carlyle' in consequence? Certainly not, Louis."
"I did not falsify the account," cried Carlyle hotly. He sat down however, and added more quietly: "But why do I tell you all this? I have never spoken of it before."
"Blindness invites confidence," replied Carrados. "We are out of the running—human rivalry ceases to exist. Besides, why shouldn't you? In my case the account was falsified."
"Of course that's all bunkum, Max" commented Carlyle. "Still, I appreciate your motive."
"Practically everything I possess was left to me by an American cousin, on the condition that I took the name of Carrados. He made his fortune by an ingenious conspiracy of doctoring the crop reports and unloading favourably in consequence. And I need hardly remind you that the receiver is equally guilty with the thief."
"But twice as safe. I know something of that, Max … Have you any idea what my business is?"
"You shall tell me," replied Carrados.
"I run a private inquiry agency. When I lost my profession I had to do something for a living. This occurred. I dropped my name, changed my appearance and opened an office. I knew the legal side down to the ground and I got a retired Scotland Yard man to organize the outside work."
"Excellent!" cried Carrados. "Do you unearth many murders?"
"No," admitted Mr. Carlyle; "our business lies mostly on the conventional lines among divorce and defalcation."
"That's a pity," remarked Carrados. "Do you know, Louis, I always had a secret ambition to be a detective myself. I have even thought lately that I might still be able to do something at it if the chance came my way. That makes you smile?"
"Well, certainly, the idea——"
"Yes, the idea of a blind detective—the blind tracking the alert—"
"Of course, as you say, certain facilities are no doubt quickened," Mr. Carlyle hastened to add considerately, "but, seriously, with the exception of an artist, I don't suppose there is any man who is more utterly dependent on his eyes."
Whatever opinion Carrados might have held privately, his genial exterior did not betray a shadow of dissent. For a full minute he continued to smoke as though he derived an actual visual enjoyment from the blue sprays that travelled and dispersed across the room. He had already placed before his visitor a box containing cigars of a brand which that gentleman keenly appreciated but generally regarded as unattainable, and the matter-of-fact ease and certainty with which the blind man had brought the box and put it before him had sent a questioning flicker through Carlyle's mind.
"You used to be rather fond of art yourself, Louis," he remarked presently. "Give me your opinion of my latest purchase—the bronze lion on the cabinet there." Then, as Carlyle's gaze went about the room, he added quickly: "No, not that cabinet—the one on your left."
Carlyle shot a sharp glance at his host as he got up, but Carrados's expression was merely benignly complacent. Then he strolled across to the figure.
"Very nice," he admitted. "Late Flemish, isn't it?"
"No, It is a copy of Vidal's 'Roaring Lion.'"
"A French artist." The voice became indescribably flat. "He, also, had the misfortune to be blind, by the way."
"You old humbug, Max!" shrieked Carlyle, "you've been thinking that out for the last five minutes." Then the unfortunate man bit his lip and turned his back towards his host.
"Do you remember how we used to pile it up on that obtuse ass Sanders, and then roast him?" asked Carrados, ignoring the half-smothered exclamation with which the other man had recalled himself.
"Yes," replied Carlyle quietly. "This is very good," he continued, addressing himself to the bronze again. "How ever did he do it?"
"With his hands."
"Naturally. But, I mean, how did he study his model?"
"Also with his hands. He called it 'seeing near.'"
"Even with a lion—handled it?"
"In such cases he required the services of a keeper, who brought the animal to bay while Vidal exercised his own particular gifts … You don't feel inclined to put me on the track of a mystery, Louis?"
Unable to regard this request as anything but one of old Max's unquenchable pleasantries, Mr. Carlyle was on the point of making a suitable reply when a sudden thought caused him to smile knowingly. Up to that point, he had, indeed, completely forgotten the object of his visit. Now that he remembered the doubtful Dionysius and Baxter's recommendation he immediately assumed that some mistake had been made.
Either Max was not the Wynn Carrados he had been seeking or else Baxter, the dealer had been misinformed; for although his host was wonderfully expert in the face of his misfortune, it was inconceivable that he could decide the genuineness of a coin without seeing it. The opportunity seemed a good one of getting even with Carrados by taking him at his word.
"Yes," he accordingly replied, with crisp deliberation, as he re-crossed the room; "yes, I will, Max. Here is the clue to what seems to be a rather remarkable fraud." He put the tetradrachm into his host's hand. "What do you make of it?"
For a few seconds Carrados handled the piece with the delicate manipulation of his finger-tips while Carlyle looked on with a self-appreciative grin. Then with equal gravity the blind man weighed the coin in the balance of his hand. Finally he touched it with his tongue.
"Well?" demanded the other.
"Of course I have not much to go on, and if I was more fully in your confidence I might come to another conclusion——"
"Yes, yes," interposed Carlyle, with amused encouragement.
"Then I should advise you to arrest the parlourmaid, Nina Brun, communicate with the police authorities of Padua for particulars of the career of Helene Brunesi, and suggest to Lord Seastoke that he should return to London to see what further depredations have been made in his cabinet."
Mr. Carlyle's groping hand sought and found a chair, on to which he dropped blankly. His eyes were unable to detach themselves for a single moment from the very ordinary spectacle of Mr. Carrados's mildly benevolent face, while the sterilized ghost of his now forgotten amusement still lingered about his features.
"Good heavens!" he managed to articulate, "how do you know?"
"Isn't that what you wanted of me?" asked Carrados suavely.
"Don't humbug, Max," said Carlyle severely. "This is no joke." An undefined mistrust of his own powers suddenly possessed him in the presence of this mystery. "How do you come to know of Nina Brun and Lord Seastoke?"
"You are a detective, Louis," replied Carrados. "How does one know these things? By using one's eyes and putting two and two together."
Carlyle groaned and flung out an arm petulantly.
"Is it all bunkum, Max? Do you really see all the time—though that doesn't go very far towards explaining it."
"Like Vidal, I see very well—at close quarters," replied Carrados, lightly running a forefinger along the inscription on the tetradrachm. "For longer range I keep another pair of eyes. Would you like to test them?"
Mr. Carlyle's assent was not very gracious; it was, in fact, faintly sulky. He was suffering the annoyance of feeling distinctly unimpressive in his own department; but he was also curious.
"The bell is just behind you, if you don't mind," said his host.
"Parkinson will appear. You might take note of him while he is in."
The man who had admitted Mr. Carlyle proved to be Parkinson.
"This gentleman is Mr. Carlyle, Parkinson," explained Carrados the moment the man entered. "You will remember him for the future?"
Parkinson's apologetic eye swept the visitor from head to foot, but so lightly and swiftly that it conveyed to that gentleman the comparison of being very deftly dusted.
"I will endeavour to do so, sir," replied Parkinson, turning again to his master.
"I shall be at home to Mr. Carlyle whenever he calls. That is all."
"Very well, sir."
"Now, Louis," remarked Mr. Carrados briskly, when the door had closed again, "you have had a good opportunity of studying Parkinson. What is he like?"
"In what way?"
"I mean as a matter of description. I am a blind man—I haven't seen my servant for 12 years—what idea can you give me of him? I asked you to notice."
"I know you did, but your Parkinson is the sort of man who has very little about him to describe. He is the embodiment of the ordinary. His height is about average——"
"Five feet nine," murmured Carrados. "Slightly above the mean."
"Scarcely noticeably so. Clean-shaven. Medium brown hair. No particularly marked features. Dark eyes. Good teeth."
"False," interposed Carrados. "The teeth—not the statement."
"Possibly," admitted Mr. Carlyle. "I am not a dental expert and I had no opportunity of examining Mr. Parkinson's mouth in detail. But what is the drift of all this?"
"Oh, just the ordinary evening dress of a valet. There is not much room for variety in that."
"You noticed, in fact, nothing special by which Parkinson could be identified?"
"Well, he wore an unusually broad gold ring on the little finger of the left hand."
"But that is removable. And yet Parkinson has an ineradicable mole—a small one, I admit—on his chin. And you a human sleuth-hound. Oh, Louis!"
"At all events," retorted Carlyle, writhing a little under this good-humoured satire, although it was easy enough to see in it Carrados's affectionate intention—"at all events, I dare say I can give as good a description of Parkinson as he can give of me."
"That is what we are going to test. Ring the bell again."
"Quite. I am trying my eyes against yours. If I can't give you 50 out of a 100 I'll renounce my private detectorial ambition for ever."
"It isn't quite the same," objected Carlyle, but he rang the bell.
"Come in and close the door, Parkinson," said Carrados when the man appeared. "Don't look at Mr. Carlyle again—in fact, you had better stand with your back towards him, he won't mind. Now describe to me his appearance as you observed it."
Parkinson tendered his respectful apologies to Mr. Carlyle for the liberty he was compelled to take, by the deferential quality of his voice.
"Mr. Carlyle, sir, wears patent leather boots of about size seven and very little used. There are five buttons, but on the left boot one button—the third up—is missing, leaving loose threads and not the more usual metal fastener. Mr. Carlyle's trousers, sir, are of a dark material, a dark grey line of about a quarter of an inch width on a darker ground. The bottoms are turned permanently up and are, just now, a little muddy, if I may say so."
"Very muddy," interposed Mr. Carlyle generously. "It is a wet night, Parkinson."
"Yes, sir; very unpleasant weather. If you will allow me, sir, I will brush you in the hall. The mud is dry now, I notice. Then, sir," continued Parkinson, reverting to the business in hand, "there are dark green cashmere hose. A curb-pattern key-chain passes into the left-hand trouser pocket."
From the visitor's nether garments the photographic-eyed Parkinson proceeded to higher ground, and with increasing wonder Mr. Carlyle listened to the faithful catalogue of his possessions. His fetter-and-link albert of gold and platinum was minutely described. His spotted blue ascot, with its gentlemanly pearl scarfpin, was set forth, and the fact that the buttonhole in the left lapel of his morning coat showed signs of use was duly noted. What Parkinson saw he recorded, but he made no deductions. A handkerchief carried in the cuff of the right sleeve was simply that to him and not an indication that Mr. Carlyle was, indeed, left-handed.
But a more delicate part of Parkinson's undertaking remained. He approached it with a double cough.
"As regards Mr. Carlyle's personal appearance, sir—"
"No, enough!" cried the gentleman concerned hastily. "I am more than satisfied. You are a keen observer, Parkinson."
"I have trained myself to suit my master's requirements, sir," replied the man. He looked towards Mr. Carrados, received a nod and withdrew.
Mr. Carlyle was the first to speak.
"That man of yours would be worth five pounds a week to me, Max," he remarked thoughtfully. "But, of course—"
"I don't think that he would take it," replied Carrados, in a voice of equally detached speculation. "He suits me very well. But you have the chance of using his services—indirectly."
"You still mean that—seriously?"
"I notice in you a chronic disinclination to take me seriously, Louis. It is really—to an Englishman—almost painful. Is there something inherently comic about me or the atmosphere of The Turrets?"
"No, my friend," replied Mr. Carlyle, "but there is something essentially prosperous. That is what points to the improbable. Now what is it?"
"It might be merely a whim, but it is more than that," replied Carrados. "It is, well, partly vanity, partly ennui, partly"—certainly there was something more nearly tragic in his voice than comic now—"partly hope."
Mr. Carlyle was too tactful to pursue the subject.
"Those are three tolerable motives," he acquiesced. "I'll do anything you want, Max, on one condition."
"Agreed. And it is?"
"That you tell me how you knew so much of this affair." He tapped the silver coin which lay on the table near them. "I am not easily flabbergasted," he added.
"You won't believe that there is nothing to explain—that it was purely second-sight?"
"No," replied Carlyle tersely: "I won't."
"You are quite right. And yet the thing is very simple."
"They always are—when you know," soliloquised the other. "That's what makes them so confoundedly difficult when you don't."
"Here is this one then. In Padua, which seems to be regaining its old reputation as the birthplace of spurious antiques, by the way, there lives an ingenious craftsman named Pietro Stelli. This simple soul, who possesses a talent not inferior to that of Cavino at his best, has for many years turned his hand to the not unprofitable occupation of forging rare Greek and Roman coins. As a collector and student of certain Greek colonials and a specialist in forgeries I have been familiar with Stelli's workmanship for years. Latterly he seems to have come under the influence of an international crook called—at the moment—Dompierre, who soon saw a way of utilizing Stelli's genius on a royal scale. Helene Brunesi, who in private life is—and really is, I believe—Madame Dompierre, readily lent her services to the enterprise."
"Quite so," nodded Mr. Carlyle, as his host paused.
"You see the whole sequence, of course?"
"Not exactly—not in detail," confessed Mr. Carlyle.
"Dompierre's idea was to gain access to some of the most celebrated cabinets of Europe and substitute Stelli's fabrications for the genuine coins. The princely collection of rarities that he would thus amass might be difficult to dispose of safely, but I have no doubt that he had matured his plans. Helene, in the person of Nina Brun, an Anglicised French parlourmaid—a part which she fills to perfection—was to obtain wax impressions of the most valuable pieces and to make the exchange when the counterfeits reached her. In this way it was obviously hoped that the fraud would not come to light until long after the real coins had been sold, and I gather that she has already done her work successfully in general houses. Then, impressed by her excellent references and capable manner, my housekeeper engaged her, and for a few weeks she went about her duties here. It was fatal to this detail of the scheme, however, that I have the misfortune to be blind. I am told that Helene has so innocently angelic a face as to disarm suspicion, but I was incapable of being impressed and that good material was thrown away. But one morning my material fingers—which, of course, knew nothing of Helene's angelic face—discovered an unfamiliar touch about the surface of my favourite Euclideas, and, although there was doubtless nothing to be seen, my critical sense of smell reported that wax had been recently pressed against it. I began to make discreet inquiries and in the meantime my cabinets went to the local bank for safety. Helene countered by receiving a telegram from Angiers, calling her to the death-bed of her aged mother. The aged mother succumbed; duty compelled Helene to remain at the side of her stricken patriarchal father, and doubtless The Turrets was written off the syndicate's operations as a bad debt."
"Very interesting," admitted Mr. Carlyle; "but at the risk of seeming obtuse"—his manner had become delicately chastened—"I must say that I fail to trace the inevitable connexion between Nina Brun and this particular forgery—assuming that it is a forgery."
"Set your mind at rest about that, Louis," replied Carrados. "It is a forgery, and it is a forgery that none but Pietro Stelli could have achieved. That is the essential connexion. Of course, there are accessories. A private detective coming urgently to see me with a notable tetradrachm in his pocket, which he announces to be the clue to a remarkable fraud—well, really, Louis, one scarcely needs to be blind to see through that."
"And Lord Seastoke? I suppose you happened to discover that Nina Brun had gone there?"
"No, I cannot claim to have discovered that, or I should certainly have warned him at once when I found out—only recently—about the gang. As a matter of fact, the last information I had of Lord Seastoke was a line in yesterday's Morning Post to the effect that he was still at Cairo. But many of these pieces—" He brushed his finger almost lovingly across the vivid chariot race that embellished the reverse of the coin, and broke off to remark: "You really ought to take up the subject, Louis. You have no idea how useful it might prove to you some day."
"I really think I must," replied Carlyle grimly. "Two hundred and fifty pounds the original of this cost, I believe."
"Cheap, too; it would make five hundred pounds in New York to-day. As I was saying, many are literally unique. This gem by Kimon is—here is his signature, you see; Peter is particularly good at lettering—and as I handled the genuine tetradrachm about two years ago, when Lord Seastoke exhibited it at a meeting of our society in Albemarle Street, there is nothing at all wonderful in my being able to fix the locale of your mystery. Indeed, I feel that I ought to apologize for it all being so simple."
"I think," remarked Mr. Carlyle, critically examining the loose threads on his left boot, "that the apology on that head would be more appropriate from me."