 |
| Full-page oil paintings by Jeffrey B. McKeever (above) accompany “Nightmare”, adding mood and menace in brushstrokes that echo Chandler’s noir voice |
It’s not every season that the literary world unearths a true treasure, but this month The Strand Magazine delivers just that: a lost short story by Raymond Chandler. Titled “Nightmare,” the piece was discovered among the papers of Chandler’s longtime secretary and has been carefully authenticated by scholars.
The story is vintage Chandler—taut, ironic, and chilling—placing the author himself on death row, awaiting execution.
It’s Chandler stripped bare, offering a glimpse into his imagination at its darkest edge chandler raw . What elevates this issue beyond mere rediscovery is how The Strand curates the experience. Full-page oil paintings by Jeffrey B. McKeever (above) accompany “Nightmare”, adding mood and menace in brushstrokes that echo Chandler’s noir voice.
Alongside this rare find, the magazine delivers a slate of compelling new fiction: Matthew Sullivan’s surreal “Howard’s Okay,” Susan Knight’s Sherlock Holmes mystery “The Case of the Fatal Flowers,” John M. Floyd’s tense “Reptiles,” and Joseph Koenig’s unnerving “No Doctor in the House.” The editorial team also secures exclusive interviews with Anthony Horowitz and Peter James—two crime-writing heavyweights whose insights into craft and genre anchor the issue.
Together with the review section’s sharp curation of new crime and suspense releases, this edition brims with both nostalgia and novelty chandler raw . The Strand has long held a reputation for digging into archives to uncover hidden literary gems, and this Chandler revelation only strengthens its standing as a custodian of mystery fiction’s golden past. This Fall’s issue is already shaping up to be a collector’s item—part literary archaeology, part celebration of crime fiction’s evolving future.
👉 You can purchase the Chandler issue directly from the publisher here: https://strandmag.com/product/the-strand-special-issue-raymond-chandler-rediscovered/
No comments:
Post a Comment