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Thursday, April 2, 2015

INDIANA: ON THE WRONG SIDE OF HISTORY


ONE OF THE GREATEST DOCUMENTS--U.S. Marine and U.S. Navy personnel guard U.S. Constitution.
GUEST BLOG by Kareem Abdul-Jabbar—In the 1987 movie Moonstruck, Nicolas Cage plays a contentious man who, when confronted with his unreasonable and unjust behavior, shouts in defense, “I ain’t no freakin’ monument to justice!” That line echoes in my head when I think about Indiana’s hypocritical and anti-American Religious Freedom Restoration Act (RFRA). At its core, rather than being a monument to justice, RFRA is a step toward establishing an American version of Shari’a law.

--UPDATE:
Within days of its passage, the Indiana legislature amended the religious freedom restoration act, which was signed by Gov. Mike Pense to include language that prohibits all forms of discrimination in Indiana. The change in the new law came about because the vast silent majority spoke out, including business leaders, rights activists and noted celebrities like Mr. Abdul-Jabbar. 
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I know that sounds hyperbolic, in the tradition of, “If Obama is re-elected, the terrorists have won” or “If the pipeline isn’t approved, you’re Nazis because Hitler once nixed a pipeline.” However, in this case, the comparison is not so crazy. Shari’a law, when imposed on a population by force, makes a single religion’s teachings (often a single sect of that religion’s teachings) the law of the land. The mission is to force everyone to follow the teachings lest they be punished. Although RFRA supporters aren’t physically assaulting people, they certainly are attempting to punish those who don’t follow their own very specific interpretation of God’s teachings.

The U.S. Constitution is one of the greatest documents ever written because it has a clearly articulated mission of creating a country in which all people are given equal opportunity and equal protection in order to seek those opportunities. Simple, but sublime. One major component to the spirit of the Constitution is that we don’t promote any single religion above any other. To favor any religious teaching just based on popularity contradicts the spirit of the mission of the Constitution and is as direct an attack on the principles of this country as was the firing on Fort Sumter.

Indiana’s RFRA is also unfairly tarnishing the image of Christians. Christians have been at the forefront of fighting for equality since this country was founded. They were on the front lines of abolition, the Civil Rights movement, and in expanding LGBT rights. They risked their careers, families, and lives. Refusing service isn’t an expression of Christian love, but an example of shaming. Jesus’s Sermon on the Mount is a revocation of some of the harsher judgments of the Old Testament (“an eye for an eye”) in order to embrace all people as fellow travelers on the path to salvation. While most Christians want to help people along that path, Indiana’s RFRA supporters want to set up road blocks.


Indiana is roughly 80% Christian, so whom exactly is this law protecting? What religion is being “restored”? Practitioners of Christianity in Indiana are not in jeopardy of losing their right to worship or practice their faith. That means the only reason to pass such a law is to allow people to extend the practice of their faith to include discriminating against those who don’t share their values. That’s the kind of thinking that drove Christians out of Europe to found this country.

Some question why all the attention is suddenly on Indiana when 19 other states and the federal government have passed similar laws. Here’s why: (1) RFRA is similar to the other laws but has two fundamental differences. Indiana’s law allows for-profit businesses the same right as an individual or church to use this law to discriminate. And it protects the for-profit business from a private lawsuit claiming discrimination. (2) Just because someone else gets away with committing a bad act doesn’t mean we don’t punish the next person we catch. (3) The law is clearly a pouty response to gay marriage in the state; it’s an attempt to tell government not to interfere in private moral choices by passing a law that interferes in private moral choices. (4) It’s also clearly a thumbed-nose toward the cultural awakening taking place across the country in support of LGBT equality.

Finally, the main reason the bill’s supporters deserve this wrath is because they passed RFRA as a cynical political ploy to appease Indiana conservatives. Scrambling Indiana politicians suddenly protest that the law’s intention is not to discriminate. In fact, that’s its only reason to exist. Even if no one actually uses the law, it’s still a loaded weapon with one intended victim: Anyone Who Isn’t Us.

The politicians thought it would cost them nothing and gain them voter appreciation. Fortunately, it is costing them much more than they imagined. Angie’s List, Salesforce, the state of Connecticut, the cities of San Francisco and Seattle, and others are threatening to cancel buildings, conventions, and other business enterprises in Indiana. Also, the NBA and NCAA are debating how to express their outrage. Charles Barkley rightly called for the NCAA Final Four tournament to be held elsewhere.

People of all religions and races and ethnic backgrounds should join together to condemn this law and boycott the state because whenever we allow any discrimination, we make it possible for the infection to spread.

Maybe as a result of this economic pressure, Indiana lawmakers, like Nic Cage’s character, will proclaim, “You ruined my life!” To which we respond with the same words as Cher’s character: “That’s impossible! It was ruined when I got here!”

This essay was published in Time Magazine’s blog on March 31, 2015.
The Author Time columnist Abdul-Jabbar is a six-time NBA champion and league Most Valuable Player. He is also a celebrated author, filmmaker and education ambassador.



Wednesday, April 1, 2015

WORLD CLASS ARCHITECTURE / MASTERPIECE IN GLASS & CLOUDS


Text: Thomas Shess                   Site: California Gold Coast: San Diego County                   Photography Holt Webb
NOW-ISM IN SAN DIEGO COUNTY--"A work very much of the moment” is how San Diego architect Wally Cunningham describes his residential tour de force.  “It isn’t relic architecture, some romance of the past,” he says.

If the present is a stripe of imagination much like sea meets sky, then the 7,000-square-foot, poured-in-place concrete masterpiece Cunningham has created on a bluff 90-feet above a section of San Diego County’s Gold Coast is a momentary blur.

When we refocus, we see a portrait of the future. Cunningham has launched us into space toward a much-awaited new genre of architecture called nowism. The word is as fresh as Cunningham’s vision.

He has blasted away our conventional thinking about residential architecture. Gone are the picket fence, yard, porch, living room, dining room and the kitchen overlooking the backyard. In Cunningham’s view, the old sense of room divisions are erased.

Freedom from walls
His clients grasped the concept of openness and emboldened their architect to create a grand home with the freedom of a giant Manhattan loft, but site it on a sandstone pedestal rising above another defining line—where land meets sea.

Indoor/outdoor pool
Cunningham sees V-shapes as arrows to the future. Steel beams, encased in silvery aluminum and enamel, cross the house lengthwise to create a bow pointing toward the ocean. Entry to the house is through a courtyard that’s an architectural kaleidoscope of shapes, sounds, textures and patterns. In daylight, the lighting patterns are natural. At night, the scene is crisscrossed with illusionary patterns created by installed lighting.

V-Shaped bath
At the front door, on the home’s midlevel, there’s an astonishing reflecting pond that flows toward you and falls away from a vanishing edge. From there, you see through the house to the Pacific Ocean.

Upper main level
V-shaped ramps lead to the top of three levels, where Cunningham has situated the main living quarters. Here, a stunning floor-to-ceiling glass wall show- cases the sea. Throughout the home, Cunningham has configured areas of exploration, with openness as the constant. Even the closets in the master bedroom suite are without doors.

Overhead skylights create light patterns as abstract as any of the contemporary art collected by the sophisticated homeowners. But even a stunning Manny Farber abstract looks antique, compared with the sleek lines of the architecture.

Living room
With this residential design, Cunningham shows we no longer need to be constrained with traditional floor plans. We can configure our new homes by using our needs, dreams and lifestyles as guideposts.

Do we really use our living rooms? Is Grandmother’s parlor needed? Why not embrace the great room? Create the architecture to envelop your
distinct lifestyle. That is what Wally Cunningham is saying in this seaside work.


At night, stars are visible from the living room in this residence, and we view them as if we’re in a domed cockpit, rocketing off to the future. Cunning- ham’s new work is a stellar waiting room, a guide- post, a “now” art space where we can sit and dream in any direction—or dimension.
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This work first appeared in San Diego Magazine


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