SUSPENSION OF DISBELIEF—DAY ONE.
Editor’s Note: On July
19, 1969 NASA’s Neil Armstrong was the first human to step on the moon. Some 67
years earlier on Aug. 2, 1902, French filmmaker George Melies took the world on
an iconic 14 minute voyage to the moon.
Melies is known as the father of special effects and as one of the first
victims of film piracy as his work was immediately copied and sent to the U.S.
where Melies copywright was not in effect.
Reportedly, one of those first film pirates was none other than Thomas
Edison.
To view Melies work go to
YouTube: https://www.youtube.com/watch?v=_FrdVdKlxUk
GUEST BLOG—By Colin Marshall, OpenCulture, a free
cultural and educational media source on the web: www.openculture.com.--If
you’ve taken a film studies course, you’ve almost certainly seen the work of
Georges Méliès.
His 1902 short A Trip to the
Moon, at the top, which some cinema scholars cite as the picture where special
effects as we know them began, has a particularly important place in cinema
history. Nobody who watches that fourteen-minute production ever forgets the
image of the moon’s consternation after the protagonists’ spacecraft crashes
into it. And the rest of the movie, if narratively shaky, still has an
impressive visual power.
Filmmaker George Melies scored a direct hit with film audiences as A Trip to the Moon became a blockbuster of its day. |
If anybody had both sufficient
imagination and sufficient know-how to commit such a voyage to that
cutting-edge medium known as motion film over a century ago, the theater owner
and seasoned illusionist Méliès did. Charged by the cinematic pioneering of his
countrymen the Lumière brothers, he began doing it in 1896, and continued until
1913, which makes A Trip to the Moon a mid-career highlight.
Other article on “A Trip to the
Moon”:
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