We think PBS missed one. The existing Hallidie Building in San Francisco, 1917 was more influential to future generations because of its original use of glass as a building facade. |
RESPECTFULLY DISAGREE--PBS started the discussion on “Ten Buildings That
Changed America” by airing a recent documentary the nation’s most influential
buildings.
Despite its lofty demographics,
PBS’ ten picks came from one man, who happened to be the show’s writer and
producer, Dan Protess.
Being American, where
everyone gets one vote, Pillar to Post (P2P) happily takes up the one-person challenge
and offers up the following roster, which differs significantly from what PBS
broadcast.
Who wins? Who cares? It’s
only a debate. PBS is listed first
followed by P2P’s counter offer.
PBS: Virginia State Capitol
building, 1788. Architect: Thomas
Jefferson
PILLAR TO POST: Independence
Hall, 1732-53, Philadelphia, Edmund Wooley and Andrew Hamilton with steeple
design by William Strickland. Why?
Karma. Slave labor not an issue in
Philadelphia.
PBS: Trinity Church,
Boston, 1877. Henry Hobson Richardson
P2P: California Tower, San
Diego, 1915, Bertrand Goodhue. Why? America never embraced Richardson’s style
after his death, however, Goodhue’s Mediterranean style adapted well to
residential Spanish Revival and remains a period tour de force today.
PBS: Wainright Building,
St. Louis, 1891, Louis Sullivan
P2P: Hallidie Building, San
Francisco, 1917, Willis Polk. Why? Polk’s glass high rise exterior predates Mies
vander Rohe et al by two generations.
PBS: Robie House, Chicago, 1910,
Frank Lloyd Wright
P2P: Gamble House, Pasadena, CA, 1908, Charles and
Henry Greene. Why? Sheer numbers: America embraced more of
Greene’s Arts & Crafts bungalow styles compared with Wright’s Prairie
vernacular.
PBS: Ford Motor Company
plant, Highland Park, Michigan, 1910, Albert Kahn
P2P: Kennedy Space Center
Buildings, Merrit Island, FL, 1965, Charles Luckman. Why?
Cars vs stars.
PBS: Southdale Shopping Center, near Minneapolis,
Victor Gruen
P2P: Schlesinger & Mayer Department Store,
1872, Louis Sullivan. Why? Changed America’s retail shopping methods a
century before suburban malls.
PBS: Seagram Building, New
York, City, 1958, Ludwig Mies vander Rohe
P2P: Agree. Seagram Building is the most solid
pick, however, kudos to the United Nations Building, New York City, 1947-53 by
Le Corbusier and Oscar Niemeyer, Howard Robertson with Harrison and Abramovitz
architects.
PBS: Dulles Airport, Near
Washington DC, 1962, Eero Saarinen
P2P: Salk Institute, La Jolla CA, 1959, Louis Kahn. Why?
Form and function. Kahn is
timeless, while Saarinen and Gehry will be the Gaudi of their day.
PBS: Vanna Venturi Philadelphia
Residence, 1964, Robert Venturi
P2P: Kaufman Residence,
Fallingwater, Western Pennsylvania, 1938, Frank Lloyd Wright
PBS: Walk Disney Concert Hall,
Los Angeles, 2003, Frank Gehry
P2P: LA International
Airport theme building, 1961, Charles Luckman.
Why? Luckman among the first to bend the lines. Luckman’s statement is
about the limitless future, while Gehry is saying I can do what I want.
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