FINE ART OF WORDSMITHING-- Robert Wilson, Sudip Bose, Bruce
Falconer, Allen Freeman, and Margaret Foster, who are editors at American
Scholar magazine, came up with the idea to discuss the best sentences from
world literature. It was one of those
“over the water cooler” ideas that produced the following (in their opinion)
the ten best. The magazine in its blog
had the sentences listed top to bottom as Fitzgerald, Joyce, Hersey, Morrison,
Austen, Didion, Hemingway, Dickens, O’Brien, Nabokov with Capote as a bonus.
Uninvited,
Pillar to Post crashes this worthy celebration by rearranging the order of the above list into our version of the American Scholar list. The following is what Pillar to Post believes is a better order: Morrison, Capote, Joyce, O’Brien, Hemingway, Dickens, Austen, Hersey, Didion, Nabokov and as a bonus Fitzgerald.
Make your own list. And, maybe tomorrow it
can be a topic over the water cooler.
TEN REMARKABLE SENTENCES IN THE MOTHER TONGUE, PLUS ONE
TEN REMARKABLE SENTENCES IN THE MOTHER TONGUE, PLUS ONE
It was a
fine cry—loud and long—but it had no bottom and it had no top, just circles and
circles of sorrow.—Toni Morrison, Sula
Like the
waters of the river, like the motorists on the highway, and like the yellow
trains streaking down the Santa Fe tracks, drama, in the shape of exceptional
happenings, had never stopped there.—Truman Capote, In Cold Blood
I go to
encounter for the millionth time the reality of experience and to forge in the
smithy of my soul the uncreated conscience of my race.—James Joyce, A Portrait
of the Artist as a Young Man
In many ways
he was like America itself, big and strong, full of good intentions, a roll of
fat jiggling at his belly, slow of foot but always plodding along, always there
when you needed him, a believer in the virtues of simplicity and directness and
hard labor.—Tim O’Brien, The Things They Carried
There are
many pleasant fictions of the law in constant operation, but there is not one
so pleasant or practically humorous as that which supposes every man to be of
equal value in its impartial eye, and the benefits of all laws to be equally
attainable by all men, without the smallest reference to the furniture of their
pockets.—Charles Dickens, Nicholas Nickleby
Jane Austen |
This private
estate was far enough away from the explosion so that its bamboos, pines,
laurel, and maples were still alive, and the green place invited
refugees—partly because they believed that if the Americans came back, they
would bomb only buildings; partly because the foliage seemed a center of
coolness and life, and the estate’s exquisitely precise rock gardens, with
their quiet pools and arching bridges, were very Japanese, normal, secure; and
also partly (according to some who were there) because of an irresistible,
atavistic urge to hide under leaves.—John Hersey, Hiroshima
It was the
United States of America in the cold late spring of 1967, and the market was
steady and the G.N.P. high and a great many articulate people seemed to have a
sense of high social purpose and it might have been a spring of brave hopes and
national promise, but it was not, and more and more people had the uneasy
apprehension that it was not.—Joan Didion, Slouching Towards Bethlehem
And a bonus:
Its vanished
trees, the trees that had made way for Gatsby’s house, had once pandered in
whispers to the last and greatest of all human dreams; for a transitory
enchanted moment man must have held his breath in the presence of this
continent, compelled into an aesthetic contemplation he neither understood nor
desired, face to face for the last time in history with something commensurate
to his capacity for wonder.—F. Scott Fitzgerald, The Great Gatsby
Book covers were added by Pillar to Post.
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